Lacey Awọn Egbaowo Dawọle láti ọwọ́ Diana Sokolic

Lacey Awọn Egbaowo Dawọle láti ọwọ́ Diana Sokolic jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2015 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Àṣà àti Ìrìnàjò.

IdẹOhun Ọ̀ṣọ́· 2015

Lacey Awọn Egbaowo Dawọle

látọ̀wọ́ Diana Sokolic

Oníbàárà: Diana Sokolic

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́

18,101

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #35692

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Lacey Awọn Egbaowo Dawọle

Gbogbo wa ni awọn apoti ti o kun fun lace ti awọn iya ati awọn iya-nla wa ṣe. Awọn doyley wọnyẹn ni a lo bi ohun ọṣọ lori awọn tabili kofi, awọn eto tv, tabi awọn ijoko ihamọra. Ni ode oni, wọn ni iye ẹdun, ṣugbọn ko si lilo. Diana Sokolic ṣe awọn egbaowo awọleke pẹlu lace laarin awọn awo meji ti Plexiglas sihin. Awọn ege ẹlẹwa ti a ṣe pẹlu ifẹ ati sũru ti tun gba idi wọn sisopọ ti o ti kọja wa pẹlu lọwọlọwọ wa.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Lacey Awọn Egbaowo Dawọle jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Lacey Awọn Egbaowo Dawọle yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Lacey Awọn Egbaowo Dawọle ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Our great grandmothers and grandmothers were brought up to play piano, read poetry and make lace. In the 60ies, their daughters kept those lace doyleys under the glass on coffee tables and commodes. Now we have drawers full of lace and needlework. It has no use in modernly furnished flats, it hass just an emotional value.
I have made cuff bracelets with lace between two plates of transparent Plexiglas.
In this way the lace has kept its transparency, gained new use, at the same time recognizing the women who made it and those who kept it for us.
Ìwọ̀n àti Àpò: 130 x 75 x 50 mm
Àwọn Àkọlé: lace,cuff bracelet, accessorie, fashion
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Lace and PMMA
I did not want to put delicate lace in a metal frame or any other heavy material. So I decided to put it between two pieces of transparent Plexiglas.
Ìpèníjà Àpèsè: Since PMMA has to be heated in order to be bent, the most challenging part was how to heat it without burning the delicate threads of needlework and then how to connect the lace and the Plexiglas without the glue.
Ìwádìí: This project was technically the most diffucult one for me. I was affraid that I will burn the lace while experimenting with different temperatures in order to bent the PMMA, since I could not experiment with something else except the lace itself.
PMMA plates have to be really hot in order to stick to one another, while the lace is between the layers.
I had to find lace doyleys which are not to big because cuffs have to be weareable.
Ìmísí: From time to time I open the drawer with lace and needlework kept between sheets of thin white paper. I look at them with love and patience, expecting to hear them talking to me. I know that those pieces want to be used again, that they want to show their beauty. And one day it just happened! They talked to me!
Àkókò Iṣẹ́ Àkànṣe: I have made these bracelets in my hometown Zagreb, Croatia
and the process lasted for several month.
This project has not been shown jet.
Ìlànà Ìṣiṣẹ́: Cuffs are open at the back so one size fits all
Àwọn Ọmọ Ẹgbẹ́: Diana Sokolic
Ìfọwọ́sí Àwòrán: Diana Sokolic, 2014.