Historical Park Ọgbà Ìtàn, Ìrántí láti ọwọ́ Udo Hubert Dagenbach Glada-Berlin

Historical Park Ọgbà Ìtàn, Ìrántí láti ọwọ́ Udo Hubert Dagenbach Glada-Berlin jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2017 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìgbéró Ilẹ̀ àti Ọgbà.

WúràÀpẹẹrẹ Ilẹ̀· 2017

Historical Park Ọgbà Ìtàn, Ìrántí

látọ̀wọ́ Udo Hubert Dagenbach Glada-Berlin

Oníbàárà: Glasser and Dagenbach

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Àpẹẹrẹ Ilẹ̀

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #54366

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Historical Park Ọgbà Ìtàn, Ìrántí

Ọgbà Ìtàn jẹ́ ọgbà gbogbo ènìyàn àti ibi ìrántí ní Berlin, tí a gbé kalẹ̀ sórí ilẹ̀ ẹ̀wọ̀n Prussia kan tí a kọ́ láàárín ọdún 1842 sí 1849. A tọ́jú àwọn ẹlẹ́wọ̀n òṣèlú, a sì fìyà jẹ wọ́n níbẹ̀ ní òpin Ogun Àgbáyé Kejì, a sì wó àwọn ilé náà lulẹ̀ ní ọdún 1958, tí ó fi ògiri òde nìkan sílẹ̀. A rántí ètò ẹ̀wọ̀n oníràwọ̀ náà nípasẹ̀ àwọn koríko àti ọ̀gbìn ìdábùú tí a gbé sókè àti tí a sun sísàlẹ̀. Cube kọnkíríìtì kan sàmì sí ibi àkíyèsí àárín gbùngbùn àtijọ́. Kọnkíríìtì aláwọ̀ beige tí a fi iyanrìn fẹ́ bá àwọn ìsokọ́ra ògiri bíríkì tí a tún ṣe mu. Àpẹẹrẹ náà so eré ìdárayá àti ìrántí pọ̀ nínú ilẹ̀ ilẹ̀ ọ̀kan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Historical Park Ọgbà Ìtàn, Ìrántí jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Historical Park Ọgbà Ìtàn, Ìrántí yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Historical Park Ọgbà Ìtàn, Ìrántí ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The Prussian prison was constructed from 1842 to 1849 in Berlin. At the end of World War 2 political prisoners have been captured and tortured there. In 1958 the buildings, except the outer wall, have been destroyed. After the political reunion of the two parts Berlin, the city contracted the Glasser and Dagenbach with the planning. The star shaped buildings are conveyed through a series of elevated and sunken grass sections and hedges. The prisons once central observation area is symbolized by a concrete cube as center of an architectural garden with elements of Land and Minimal Art.
Ìwọ̀n àti Àpò: The whole park area has a size of roughly 2,8 ha. About 330 m of the old prison wall was restored. It is about 4 to 5 m high.
To block the view against existing buildings from the 1970ies we planted many oevergreen pine trees.
In a prison cell a sound installation is started when you enter the cell. Poem from prisoners and knocking sound codes can be heard about 5 minutes. A poem from a former prisoner during the Nazi Period is written on the inside of the prison wall.
Àwọn Àkọlé: historical park, Berlin, Geschichtspark Moabit, Moabit Prison, memorial
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The parks architectural elements are made out of sandblasted, beige coloured concrete. The concrete has the same colour like the the joints of the old remaining brick wall which is left from the former prison. The existing trees are left as visible layers of time which covered this place throughout the postwar time until the fall of the Berlin Wall. Red leafed book trees as hedges show the former prison cell structure. Column like growing Junipers replace the former yard birds walking in the triangular shaped outdoor yards.
Ìpèníjà Àpèsè: Only prison walls where left . The prison as building and its historical context was not visible any more. The story of the prison is transcripted in a public park through land and minimal art, without a didactic approach. You can receive just as much information as you like. The design completely relies on the impression of the architectural and vegetative elements. We avoided any mannerist attitude; it took a lot of energy to reject political influence from outside and to keep the neighbors and interested citizens informed.
Ìwádìí: A long process of both public and internal discussion in the team developed the design direction. The client wanted to reach a combination of both recreational park and memorial. This has not been realized before. It took a long time of thinking what means will be used to tell the history of the prison and yet provide a recreational landscape.
Ìmísí: This project shows a way how to combine the design for a recreational park with a memorial. With means of land art, and minimal art the story of the historically meaningful space is told by forming an architectural garden that allows both recreation and memory.
Àkókò Iṣẹ́ Àkànṣe: The project started 1990 and was finished after 17 years in 2007 in Berlin.
The planning process started with a research contract and then extended to a planning contract. The construction took 3 years.
Ìlànà Ìṣiṣẹ́: The prison park is locked daily at night for security purposes. So the prison function stays somehow alive. The park needs some protection at night as the central station is close by.
It has 3 entrances, on each entrance information pannels are installed, explaining the historical and architectural story of the park.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
Àwọn Ọmọ Ẹgbẹ́: Architect: Alexander Khomiakov
Landscape Architect: Martina Levin
Landscape Architect:Volker Roehrs
Landscape Architect: Sabrina Schroeder
Landscape Architect: Katania Schulz
Drafts women: Marina Kanzler
Landscape Architect: Andreas Steiner
Landscape Architect: Leighton Pace
Landscape Architect: Sabine Linke
artist for sound installation and choice of poem: Christiane Keppler
artist for inclusion of neighbourhood kids: Serge Petit
artist for inclusion of neighbourhood kids: Gabriele Roßkamp
artist for inclusion of neighbourhood kids: Bärbel Rothaar
Ìfọwọ́sí Àwòrán: image 1: Udo Dagenbach, topview,2007
image 2: Udo Dagenbach, panopticum,2007
image 3: Udo Dagenbach, entrance, 2007
image 4: Udo Dagenbach, entrance 2, 2007
image 5: Udo Dagenbach, layout plan, 2007