boART Pátákò Gige láti ọwọ́ Andrea Cingoli

boART Pátákò Gige láti ọwọ́ Andrea Cingoli jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2019 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìdíwọ̀n Àkànṣe.

IrinÌdíwọ̀n Àkànṣe· 2019

boART Pátákò Gige

látọ̀wọ́ Andrea Cingoli

Oníbàárà: Action Giromari

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíwọ̀n Àkànṣe

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #72568

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa boART Pátákò Gige

boART jẹ́ pátákò gige tí a fi àjẹkù ohun èlò Solid Surface ṣe, ohun èlò líle tí a máa ń lò fún àwọn tábìlì ìdáná. Pátákò kọ̀ọ̀kan ń so àwọn àjẹkù aláìdọ́gba pọ̀ láti dá ojú àti àfihàn ojú sí, ní títẹ̀lé ìlànà tí adáàpẹẹrẹ ti pèsè sílẹ̀ tí òṣìṣẹ́ sì kó jọ, nítorí náà pátákò kọ̀ọ̀kan yàtọ̀ síra wọn. Ohun èlò náà jẹ́ apakòkòrò, ó lè fara dà ooru, ó sì rọrùn láti fọ̀. A fi ẹ̀rọ mílì gé àwọn àjẹkù náà, a sì fi ìlẹ̀mọ́ tí ó dára fún oúnjẹ so wọ́n pọ̀. A lè gbé pátákò kọ̀ọ̀kan kọ́ gẹ́gẹ́ bí ère ohun ọ̀ṣọ́ tàbí kí a tẹ́ ẹ jẹ́rẹ́jẹ́rẹ́ fún fífi oúnjẹ hàn. Ihò tí a lò fún kíkọ́ ọ tún jẹ́ ìwọ̀n ìpín spaghetti kan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

boART Pátákò Gige jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé boART Pátákò Gige yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún boART Pátákò Gige nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Each cutting board is the result of a process between designer and the worker who assembles it based on a study of relations, cases and combinations of facial elements. The result is the combination scheme of elements that create faces, expressions, and products that are always different. This dynamic creates various characteristics: the product is a unique piece, the aspect is double checked by the designer, the workers are more satisfied with their work and the company cuts costs by re-using the majority of leftover materials (eco-sustainability).
This creative approach step is absolutely new in the production process.
Ìwọ̀n àti Àpò: Standard thickness: 6mm
Length: S 30cm; M 35 cm; L 50 cm.
Width: S 18cm; M 25 cm; L 35 cm.
Solid Surface characteristics:
Fireproof: the tightly woven molecular structure doesn't allow the formation of oxygen inside the material.
Antibacterial: the material is antibacterial thanks to its antibacterial composition (with no additives).
Resistant: the material combines excellent heat and chemical resistant properties.
Invisible joints: thanks to the attachment process, we can create uniform flat surfaces.
Easy to clean and eco: all the materials used are eco-sustainable, since they come from leftover pieces, all easy to clean.
Àwọn Àkọlé: cutting, art, solid surface, food design, unique piece, cubist, chopping board
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The base material is Solid Surface, usually used for kitchen countertops. In this case, it's whatever is left after countertops are built. This material is long lasting, easy to work and cut, bend and heat-cut and is antibacterial. This is why the cutting board was chosen. The leftover pieces were all different sizes. Three different sizes were chosen, the elements to be superimposed were obtained through vector designs. The cuts were done with a cnc milling machine. The assembly was done with food compatible glue. The material is top notch, the production process is quite economical and also very satisfying for the workers.
Ìpèníjà Àpèsè: The biggest challenge was that of creating a process, or system able to bind together the creative processes of the product. From the designer who creates the models and preliminary designs, to the operator who assembles the product and chooses the pieces, to the final validation by the designer or art director of the company that certifies and co-signs the work.
Ìwádìí: In this project the research is mostly conceptual: everything is oriented to associating art with everyday life and make the maximum use and recover leftover pieces of material. The aim is to fuse the concept of art, common use instruments, and evolving lifestyles.
Ìmísí: For this project inspiration and necessity worked in symbiosis. We reused leftover materials in a modern cubism aesthetic which allows for the use of irregular shapes and arrange them in a relatively free manner thus our image and product takes shape. We combined the elements of recycling and art and came up with a process that allows the worker to assemble it according to a general recipe given by the designer.
Àkókò Iṣẹ́ Àkànṣe: Completed in Teramo in February 2015
Ìlànà Ìṣiṣẹ́: The object is a small multi-use combo: when hung it is a decorative element, like a painting; when laying flat (decorative elements visible), it is an original plate or serving board that will allow you to create new and original settings for your dish; when laying flat (decorative elements turned over) it becomes a plate or surface to consume one's meal. The perforation used to hang it up is also the perfect dose measure for spaghetti for 1 person. The object may seem simple, but in reality, is a small concentrate of functionality.
Ìfọwọ́sí Àwòrán: Action Giromari