H Chair Alaga láti ọwọ́ Xiaoyan Wei jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
IdẹOhun-èlò Ilé· 2020
H Chair Alaga
látọ̀wọ́ Xiaoyan Wei
Oníbàárà: Daisenbear
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #89289Àpẹrẹ Náà
Nípa H Chair Alaga
Awọn "H Alaga" jẹ nkan ti a yan ninu jara "aarin" nipasẹ Xiaoyan Wei. Igbiyanju rẹ wa lati awọn iyipo ti nṣàn ọfẹ ati awọn fọọmu ni aye. O yipada ibatan ti aga ati aaye nipa fifun ọpọlọpọ awọn agbara lati mu iriri olumulo lọ. Abajade ni a ti ṣe daradara lati ṣe iwọntunwọnsi laarin itunu ati imọran ẹmi. Lilo awọn ọpa idẹ kii ṣe fun iduro nikan ṣugbọn tun lati fi oniruuru wiwo si apẹrẹ; o ṣe ifojusi aaye odi ti a ṣe nipasẹ awọn iyipo ṣiṣan meji pẹlu ila laini oriṣiriṣi fun aaye lati simi.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
H Chair Alaga jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé H Chair Alaga yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. H Chair Alaga ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The visual language of the "h chair" expresses the designer's unique interpretation of 18 century neoclassic design. A sense of contradiction was created by a combination of hard wood and soft texture. The set of brass metal rods help stabilizing the body structure and bring dramatic visual diversity to the design, in the meantime highlight a very “breathable” negative space made by two flowing curves with different linearity. The entire design full of contradictions and balance.
- Ìwọ̀n àti Àpò
- Width 660mm x Depth 772mm x Height 650 mm
- Àwọn Àkọlé
- Chair, breathing design, Negative space, Italian neoclassical, New form
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Bentwood/
Ash wood/ Brass/ Leather - Ìpèníjà Àpèsè
- The first creative challenge was to capture the spirit of 18th century neoclassic furniture design and interpret that in a unique but modern way. A good amount of field research was conducted to set the tone of the design. A list of keywords was built at the very beginning to be used as guidelines for design ideation and exploration through the end to the final proposal.
Trying to create an interesting way to express “breathability” in design was another challenge. One has to be simple but dramatic and achieves visual harmony in the design hierarchy. Iterations in scaled 3D models were built to help exploring different possibilities.
Finding the balance between functionality and design was a lengthy journey. After all the sculpting and adjustments, it must be able to perform as a stable chair that brings joy and comfort experience to the consumers. Full size rough prototypes were created once the general framework was lock-in to make sure it is structurally functional. A series tests were conducted in order to find the exact position where the connector should be installed. - Ìwádìí
- The furniture series “interval” concentrates on the expressive beauty that can be created in a room through the dynamic expression of form. By utilizing the negative space in the room my design process creates furniture which captures a sense of surprise and punctuation in an otherwise neutral space.
In this colorful world, we really require such a space for breath and balance. - Ìmísí
- The h chair is a piece of the “interval” furniture series. The design was inspired by the beauty of free flowing curves and forms in a neutral space. It was meant to bring a comforting and “breathable" experience to users.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in April 2019 and finished in August 2019 in Los Angeles, and exhibit in SaloneSatellite in April 2020
- Ìlànà Ìṣiṣẹ́
- Two pieces of Bentwood(seat to backrest) connect by the gold metal components, it's also balance originally flowing state of the chair.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- NONE
- Àwọn Ọmọ Ẹgbẹ́
- Designer: Xiaoyan Wei
- Ìfọwọ́sí Àwòrán
- Photo: Liu Wei
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