Aesthetic Conflict Iṣẹ́ Àkọ́kọ́: Iṣapẹẹrẹ Inú Ilé Ibùgbé láti ọwọ́ Shi Zhe Sun jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2020
Aesthetic Conflict Iṣẹ́ Àkọ́kọ́: Iṣapẹẹrẹ Inú Ilé Ibùgbé
látọ̀wọ́ Shi Zhe Sun
Oníbàárà: Zewu Interior Design
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #92226Àpẹrẹ Náà
Nípa Aesthetic Conflict Iṣẹ́ Àkọ́kọ́: Iṣapẹẹrẹ Inú Ilé Ibùgbé
Ọ̀rọ̀ Ìwé: Aesthetic Conflict jẹ́ iṣapẹẹrẹ inú ilé ibùgbé fún àyẹ̀wò ilé kan tí ó ní àyè mítà onígun mẹ́rin mọ́kànlélọ́gọ́rùn-ún ó lé mẹ́jọ (108) ní Kaohsiung, Taiwan. Ètò ìṣàpẹẹrẹ gbígbòòrò kan so yàrá ìjókòó, yàrá ìkẹ́kọ̀ọ́ àti agbègbè oúnjẹ pọ̀ mọ́ ọ̀kan ṣoṣo tí gbogbo ènìyàn ń pín. Àwọn pẹpẹ irin tí a fi titanium bò, dígí, àwọ̀ irin dúdú àti aluminiomu fún àwọn yàrá náà ní àbùdá ìmọ̀-ẹ̀rọ òde-òní. Igi tín-ínrín tí a ṣe lọ́ṣọ̀ọ́, awọ ẹran, igi pákó ilẹ̀ àti aṣọ ògiri fi ìgbóná oníwà-ìtura kún un. A ṣe ẹnu-ọ̀nà pẹ̀lú aṣọ-ilẹ̀ (tiles), a sì fi igi tí a fi àwọ̀ ṣe àti pákó kọnkiríti pa àwọn ilẹ̀kùn ìpamọ́ mọ́. Iṣẹ́ náà parí ní ọdún 2019.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Aesthetic Conflict Iṣẹ́ Àkọ́kọ́: Iṣapẹẹrẹ Inú Ilé Ibùgbé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Aesthetic Conflict Iṣẹ́ Àkọ́kọ́: Iṣapẹẹrẹ Inú Ilé Ibùgbé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Aesthetic Conflict Iṣẹ́ Àkọ́kọ́: Iṣapẹẹrẹ Inú Ilé Ibùgbé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- As conflict is often used as the underlying tone of creative work for its drama without compromises under any given styling, therefore, the design team ran away from the conventional styling from material and color to the abstract functional and aesthetics discourse. High titanium-plated texture in contrast to the primal and rustic concrete plank, it created a start visual contrast, while the color and line work were installed with posh factor as a conflict to the harmony process.
- Ìwọ̀n àti Àpò
- As this project is situated in a 108 square-meter apartment in Kaohsiung City, the design team honored the thinking and personal attributes of the inhabitants, by adopting an open plan to link the living room, study and dining area to form an open public domain, and in terms of material application, the design team, through precise logical thinking, has adopted two main themes which were interwoven with one another to manifest a sense of beauty with layers and hidden order.
- Àwọn Àkọlé
- Aesthetic, Minimalist, Contemporary, Modern,
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- This project utilizes titanium-plated metal plates, glass, black metal paint, and aluminum, etc., to manifest the sense of modern technology, amalgamated with genuine timber veneer, leather, timber flooring and wall fabric to create a warm ambiance. As the entrance was treated with tiles, and TV wall with timber veneer, all of which were of design in detailing for spatial dynamic quality. The open study and its storage adopted concrete plank with the bookshelf behind was treated with natural timber veneer and dark glass for a very posh finishing.
- Ìpèníjà Àpèsè
- In the pursuit of visual consistency, and innovative exquisite exterior, the design team adopted titanium-plated plate as the main TV wall material, of which its strength added to the assembly difficulty in eventually having produced precise and exquisite fitting which was not just an embellished background but a consolidated visual focus.
- Ìwádìí
- As the conflict has always been opposite side of harmony, and as far as the designer is concerned, only the multi-level thinking can operate beyond the pre-defined styling frame. As the designer anchors on Conflict Aesthetics in forming a genuine aesthetics of synergized visual and tactile experiences, the public domain was treated with low-chroma scheme and refined material texture, while the private domain was treated with veneer, fabric and metal to create a contemporary look-and-feel.
- Ìmísí
- The unique taste of the client who likes the modern look-and-feel of 3C tech products, and fancies a free lifestyle, the imagination for space was preserved with a naturalist view and the overall exquisite quality. The spirit of Less is More, the design team shaped the interior with a minimalist approach in forming a bi-polar aesthetics of cold and warm, and hard and soft, in order to strike a meticulous balance between technology and culture.
- Àkókò Iṣẹ́ Àkànṣe
- This project was completed in 2019, in Kaohsiung, Taiwan
- Ìlànà Ìṣiṣẹ́
- The Transition area as the medium for the spatial transit, the design team has seamlessly integrated the entrance with storage clever detailing of connecting dyed wood veneer to concrete plank concealing the storage door so as to preserve an overall minimalist quality matching materiality and layered spatiality. The space behind the living room was planned as an open study with a central study benchtop as a sofa backdrop that defines the space.
- Àwọn Ọmọ Ẹgbẹ́
- ZEWU DESIGN
Shi Zhe Sun
Oníṣọwọ́
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