Wonderland Ìṣàkóso Inú Ilé fún Ibùdó Àfihàn láti ọwọ́ Chengzhe Zhang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2020
Wonderland Ìṣàkóso Inú Ilé fún Ibùdó Àfihàn
látọ̀wọ́ Chengzhe Zhang
Oníbàárà: Shanghai Hongshida Real Estate Development Co., LTD
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #92667Àpẹrẹ Náà
Nípa Wonderland Ìṣàkóso Inú Ilé fún Ibùdó Àfihàn
Wonderland jẹ́ inú ilé ibùdó àfihàn kan ní Shanghai, Orílẹ̀-èdè China. Àwòṣe náà ní ìmísí láti ọ̀dọ̀ Taoyuan Wonderland, àwòrán ilẹ̀-ayé kan tí Qiu Ying, olùyàwòrán ìlà-ọba Ming, yà, ó sì ń lo àwọ̀ ewéko, pínkì àti funfun sí àyè tí ó dákẹ́rọ́rọ́. Ògiri òkúta grẹ́ẹ̀ kan kọ́kọ́ pa ìwòye mọ́, gbọ̀ngàn àkọ́kọ́ tí ó ga ní mítà mẹ́wàá sì fara hàn ní ìtòsí ọ̀nà. Ọ̀nà àárín gbùngbùn ń darí sí agbègbè ìpàdé, agbègbè àfihàn àti yàrá tíì. Àwọn abọ̀ ìwé tí ó dúró lórí ilẹ̀ àti àwọn ẹ̀rọ ìbòjú tí ó ní ihò ọ̀nà geometric ń pín àwọn agbègbè náà. Ẹ̀rọ ìsokọ́ gíláàsì tí ó ní àwọn ìpẹ̀tẹ́lẹ̀ pí àṣà tí ó ju 5,000 lọ ni a gbé kalẹ̀ pẹ̀lú ọwọ́.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Wonderland Ìṣàkóso Inú Ilé fún Ibùdó Àfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Wonderland Ìṣàkóso Inú Ilé fún Ibùdó Àfihàn yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Wonderland Ìṣàkóso Inú Ilé fún Ibùdó Àfihàn jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment. - Ìwọ̀n àti Àpò
- Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
- Àwọn Àkọlé
- Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
- Ìpèníjà Àpèsè
- The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. - Ìwádìí
- In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
- Ìmísí
- The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space. - Àkókò Iṣẹ́ Àkànṣe
- The Project started in January 2018 in Shanghai China
- Ìlànà Ìṣiṣẹ́
- From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
- Àwọn Ọmọ Ẹgbẹ́
- Mingxin Lu
Yunhui Tang - Ìfọwọ́sí Àwòrán
- Main Image: Photographer Hai Zhu, 2018
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