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Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar láti ọwọ́ Hsiang Hsieh

Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar láti ọwọ́ Hsiang Hsieh jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2020

Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar

látọ̀wọ́ Hsiang Hsieh

Oníbàárà: Wen Shan Hills Design Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Àwọ̀

Àpẹrẹ Náà

Nípa Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar

Ọ̀rọ̀ Ìwé: Dream On jẹ́ ìṣàpẹ̀rẹ̀ inú ilé bar kan tí ó wà ní Ìlú Yilan, Taiwan. Yàrá gígùn àti tóóró tí ó ní mítà onígun mẹ́rin mẹ́rìnlélọ́gọ́rin (72) ni a ti sọ di ìran òpópónà nínú ilé, tí àwòrán The Cafe Terrace on the Place du Forum láti ọwọ́ Van Gogh mú ìsúnniṣe wá. Àwọn ìmọ́lẹ̀ tí ń tan sí ẹ̀gbẹ́, fèrèsé ohun ọ̀ṣọ́, férémù àti balikoni fi hàn òpópónà kan tí ó tàn yòò lóru, tí àwọ̀ àtijọ́ pẹ̀lú àwọ̀ aláwọ̀ búlúù-àwọ̀ ewéko ṣe àtìlẹyìn fún un. Ìpín ọgọ́rin nínú ọgọ́rùn-ún (80%) àwọn ohun èlò náà jẹ́ ti àdúgbò, ọ̀pọ̀lọpọ̀ nínú wọn sì jẹ́ ohun tí a tún ṣe. A ti fi ìrísí àìdọ́gba ṣe àwọn ògiri náà láti dín ariwo padà kù kù, kí ọ̀rọ̀ sísọ le è yé ni kedere.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Dream On Ìṣe Pàtàkì Nínú Ilé: Ìṣàpẹ̀rẹ̀ Inú Ilé Bar ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
In Yilan, Taiwan, there is one imaginative designer who loves the art works of Van Gogh so much, he decided to recreate the famous scene of the exotic, open-air cafe through this commercial bar refurbishment project. With the hand-picked elements extracted from local streets and architectural materials of the traditional Yilan area, this is a dare-to-dream figure puzzled up in modern transcreation, featuring decorative windows, frames and balconies. The design of the streetscape is also infused
Ìwọ̀n àti Àpò
The overall interior space is 72 square meters, a corridor-like space with 4.2 meters in width, 15.4 meters in length, and the angled roof yields 4.3 meters to 5.3 meters in height. The rectangular bar is 110 cm in height, and the tables on the side are 5 cm higher than the tabletop on purpose, a perfect height when the bar is crowded with stand-up guests.
Àwọn Àkọlé
Bar, art, Van Gogh, tradition, local, modern, renovation, recycle, starry
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
80% of the materials used are extracted from local, with massive amount of recycled materials used repeatedly, emphasizing that although the design is a newly constructed space, the negative impact toward the environment can still be reduced this way.

The decorative windows on the upper part of the wall are also from second-handed materials, retaining traced and scratched surface from the past, adding a touch of warmth and the depth of time into the space.

The wall has been well-treated with the concave and convex design method, addressing complicated wall decoration onto the surface. In addition to the suggestion of the street appearance, the white frame has the purpose of adjusting the reflection and resistance of the sound to make the sound energy distributed as evenly as possible, eliminating echoes bouncing over in a narrow space, and most importantly, allowing conversations to be heard.
Ìpèníjà Àpèsè
The biggest challenge in design is the sound echoing in the rectangular space. Because the space is narrow and long, in order to avoid the acoustic wave reflecting on the flat surface, the wall has been deliberately designed to be uneven, avoiding the back-and-forth sound bouncing in between.
Ìwádìí
To recreate the Cafe Terrace on the Place du Forum, an in-depth analysis was committed across the use of color, the spatial structure, and the arrangement of the painting. Elements were extracted from the painting and put into application, from the palette, the frames to the abstract balcony. The reflection of the ground light, the sense of the lines in the painting, and the distance between the seats are all results of the decomposition, which constitutes this Dream-on bar.
Ìmísí
It all started with the painting of Van Gogh, The Cafe Terrace on the Place du Forum, which triggered the imagination toward the look of the bar - an indoor street house that creates the exotic atmosphere that forms an imaginative open-air cafe. To achieve that, the starry sky and light reflection are paramount; therefore, in this bar design, numerous of reflective light sources are used to shape a bright street of the night, and the retro-inspired color palette mixed with mystic bluish-green al
Àkókò Iṣẹ́ Àkànṣe
This project finished in March 2017 in Yilan City in Taiwan.
Ìlànà Ìṣiṣẹ́
In general, a rectangular, corridor-shaped space is less preferred due to the physical limitation by nature, but the design of this bar retains the structure and transformed it into an indoor street house, and tables on the side are set in height for people to stand aside and walk in between the bar and the seating area. The width of the isle only allows one person to pass through, increasing intimacy and interactions in between guests.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
The copyrights belong to Wen Shan Hills Design Studio, 2019.
Àwọn Ọmọ Ẹgbẹ́
Chief Designer : Hsiang Hsieh
Ìfọwọ́sí Àwòrán
WSH

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