Crown of the Sea General Iṣẹ́ Aworan Gbangba láti ọwọ́ Yu Liang Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
IdẹIṣẹ́ Ọnà Dídára· 2020
Crown of the Sea General Iṣẹ́ Aworan Gbangba
látọ̀wọ́ Yu Liang Chen
Oníbàárà: NewLocal Art Studio
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #97588Àpẹrẹ Náà
Nípa Crown of the Sea General Iṣẹ́ Aworan Gbangba
Adé Gbogbogbo Òkun jẹ́ ohun-ọ̀ṣọ́ aworan gbangba tí ó wà ní Kouhu Township, Agbègbè Yunlin, Taiwan. Ohun-ìṣẹ́dá náà ní gígùn mítà mẹ́wàá, ìbú mítà mẹ́ta àti gíga mítà mẹ́rin. Férémù irin aláìlómi (stainless steel) àti símenti amọ̀ ni wọ́n fi ṣe àpẹrẹ rẹ̀, nígbà tí àwọn àwo dídán, àwọn àjákù seramíìkì, àwọn òkúta kékeré àti dígí ni wọ́n fi bo ojú rẹ̀. Àwọn àga tí ń bẹ nínú ẹ̀là náà pèsè ibi ìsinmi àti ojú-òòrùn, nígbà tí òkúta funfun tí ó yí ìpìlẹ̀ ká ń pèsè ààyè fún àwọn ọmọdé láti ṣeré. Àpẹẹrẹ láti inú àṣà ìbílẹ̀, Han àti Japanese ni wọ́n so pọ̀. Adé náà ń gbé ìbọ̀wọ̀ fún àwọn ohun àmúlò inú òkun lárugẹ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Crown of the Sea General Iṣẹ́ Aworan Gbangba jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Crown of the Sea General Iṣẹ́ Aworan Gbangba yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Crown of the Sea General Iṣẹ́ Aworan Gbangba ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
- Ìwọ̀n àti Àpò
- The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
- Àwọn Àkọlé
- Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
- Ìpèníjà Àpèsè
- Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
- Ìwádìí
- The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
- Ìmísí
- In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in November, 2019 in Yunlin County, Taiwan.
- Ìlànà Ìṣiṣẹ́
- Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
- Àwọn Ọmọ Ẹgbẹ́
- Yu-Liang Chen
- Ìfọwọ́sí Àwòrán
- Cheng-Mao Liu
Oníṣọwọ́
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