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Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri láti ọwọ́ Marcele Kuliesiute

Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri láti ọwọ́ Marcele Kuliesiute jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.


WúràIṣẹ́ Ọnà Dídára· 2020

Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri

látọ̀wọ́ Marcele Kuliesiute

Oníbàárà: Vilnius Academy of Arts

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #97996

Àwọ̀

Àpẹrẹ Náà

Nípa Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri

Alive jẹ́ ìfilọ́lẹ̀ iṣẹ́ ọnà alárinkiri tí a ṣẹ̀dá fún inú ilé gbogbogbò, ọ́fíìsì àti àwọn ibi gbogbogbò mìíràn. Ìṣíkiri omi, orísun gbogbo ẹ̀mí, ni ìmísí pàtàkì rẹ̀. A fi MDF ṣe ìpìlẹ̀ ẹ̀rọ náà, ó sì gbé mọ́tò kékeré tí kò ní ariwo sínú. A fi neoprene ṣe ìbòjú rẹ̀ pẹ̀lú ẹgbẹ̀rún méjì (2000) àwọn ohun ọ̀ṣọ́ plexiglass tí a so mọ́ ọn. Mọ́tò náà máa ń fa aṣọ náà, ó sì máa ń gbé àwọn ohun ọ̀ṣọ́ kéékèèké náà lọ ní ọ̀nà aago ní àyíká tí ó lọ́ra, èyí sì máa ń dá ìlù ìdákẹ́jẹ́ẹ́ sílẹ̀. Alive tẹ̀lé àwọn ìlànà biophilic, tí ó so ìbáṣepọ̀ pẹ̀lú ìṣẹ̀dá mọ́ àlàáfíà tí ó dára jù nínú ilé. Ìwọ̀n ìfilọ́lẹ̀ náà jẹ́ ẹgbẹ̀rún kan ó lé igba (1200) sí ọgọ́rùn-ún (100) sí ẹgbẹ̀rún kan ó lé igba (1200) mílímítà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Alive Ìfilọ́lẹ̀ Iṣẹ́ Ọnà Alárinkiri ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
This dynamic object is based on biophilic design principles, inspired by water - the foundation and source of all life. Alive is designed for public interiors, offices or various public spaces. It is based on the research that rhythm or movement, perceived in nature, creates a strong impression and a positive impact on the human being. Alive provides the vitality of the environment and reminds us to nurture Mother Nature, our home.
Ìwọ̀n àti Àpò
Design object consist of MDF construction, motor and neoprene with 2000 plexiglass details attached. Dimensions: Width 1200mm x Depth 100mm x Height 1200mm
Àwọn Àkọlé
alive, design, object, biophilic, movement, nature
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
There were two main tasks in design and production. First, how to create simple, inexpensive mechanics to make the object move the particles from inside. Second task - thinking of the whole covering part - elastic but strong textile with attached small details, expressing the best effect of movement while keeping all particles in place. The base structure is construction of MDF and small, but strong motor. The covering part is made using neoprene with specially designed 2000 plexiglass details.
Ìpèníjà Àpèsè
A few design and technology challenges were met. One of the biggest task was defining the best solution for a theme, concept and what kind of nature aspect should be used for. Also, technology challenges followed. The big question - how to create a powerful, but silent and small technology that would make the installation spin at the right intensity, rhythm, speed. After numerous consultations, research and experiments, all the solutions were found and the installation works as imagined.
Ìwádìí
At first, my main but abstract goal was creating a design that is alive. But I started thinking that it isn’t enough to present the idea and concept in a narrow, only idea driven design. So I started a research to find and justify my idea - it was biophilic design. After a long research and getting deeper into a matter, I found a lot of statistics, data and projects, that proves the need and benefits of biophilic design in our modern, urbanist environments. Mostly there are designs that are applicable for architecture, interior, landscape design, but there is so little product, furniture design on the matter. So, the process started by finding the main and most affecting aspects of nature that could be transformed into a object. After a long path of research, experiments and ideas, I stick to the idea of transforming a feeling of moving water into a design object.
Ìmísí
Biophilic design is based on the biophilia hypothesis. It is the innate tendency of a person to seek a connection with nature or just love for the living. With the rapid acceleration of urbanization, more and more biophilic design is used to create favorable living spaces in a modern environment, maintaining harmony between the person and nature. It has been proved that the application of biophilic design methods indoors, improves productivity, creativity and well-being.
Àkókò Iṣẹ́ Àkànṣe
The project started in February 2019 and finished in June 2019 in Vilnius Academy of Arts, Vilnius, Lithuania. It was exhibited in Titanikas gallery, in Vilnius June-July 2018.
Ìlànà Ìṣiṣẹ́
This object is based on simple mechanics, using small, silent motor that stretches the fabric and moves little details as it goes. It goes clockwise, around in circles, creating soothing, calming effect.
Ìfọwọ́sí Àwòrán
Video Credits: Lukas Keizikas

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