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Tai Quan Palace Aaye Ọfiisi láti ọwọ́ Shen Fu Chen

Tai Quan Palace Aaye Ọfiisi láti ọwọ́ Shen Fu Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IrinInú Ilé· 2020

Tai Quan Palace Aaye Ọfiisi

látọ̀wọ́ Shen Fu Chen

Oníbàárà: Jiun Wen Industrial Co., Ltd

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé

7,496

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #98645

Àwọ̀

Àpẹrẹ Náà

Nípa Tai Quan Palace Aaye Ọfiisi

Tai Quan Palace jẹ́ aaye ọfiisi kan tí ó wà ní New Taipei City, Taiwan. Ọ̀nà abawọlé rẹ̀ tẹ̀lé ọ̀nà ìṣàkóso ìbílẹ̀ ti China, ó sì ń rán ni létí ààfin ìgbàanì kan. Ògiri ọ̀nà abawọlé náà ni a fi 26,000 ege iwe wúrà bò, tí a fi ọwọ́ ṣe lórí ìlẹ̀-ìpìlẹ̀ (primer) dípò kí a fi kun ya. Àwọn ẹnu-ọ̀nà ìlọ́po méjì ti ìbílẹ̀ China pẹ̀lú èékánná ẹnu-ọ̀nà àti ìsopọ̀ mortise àti tenon ni àwọn oníṣẹ́ igi ṣe. Àwọn agbègbè iṣẹ́ rọrùn jù, pẹ̀lú ògiri funfun, àwọn kaabinẹti, tábìlì àti àga, àti àwọn àlàyé nínú irin àti bàbà. Ọ̀nà gigun tí kò ní ìdíwọ́ (barrier-free ramp) yanjú ìyàtọ̀ gíga tí ó wà ní ẹnu-ọ̀nà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Tai Quan Palace Aaye Ọfiisi jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Tai Quan Palace Aaye Ọfiisi yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Tai Quan Palace Aaye Ọfiisi nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The decoration style and techniques of the project are beyond the existing practice, trying to create a new harmonious aesthetics with contradictory elements in a limited space. The design team used gold foil and manually pasted the entire space surface with luxurious yet low-keyed gold color to the Chinese style corridor. Thereafter, looked for woodworkers to make traditional Chinese double doors, Mortise and tenon joints, bringing the best effort to make the entire space without ambiguity.
Ìwọ̀n àti Àpò
Tai Quan Palace is not just a visual experiment. In terms of living functions, the Chinese corridor entrance is designed with barrier-free ramp, which solves the height difference on the raised floor area. In order to connect the Chinese style on the outside and simplicity of European and American style on the inside, the floor tiles are gradually decreasing to create a progressive connection effect. As the line of sight extends to the end of the space, the design team replaced the solid partition with full glass to separate the space. While enlarging the vision, it is also an interesting attempt to make the space into a painting.
Àwọn Àkọlé
Traditional Chinese Architecture, Chinese and Western combination, Hand-glued gold foil, Modernism, Office Space
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
As the main point of the Chinese style corridor, the design team used 26,000 pieces of gold foil, which was manually pasted to the entire wall surface after applying primer to replace the modern feeling of paint. Mortise and tenon joints, the Chinese double doors and door nails, are specially made by the woodworkers. On the contrary, the office space is relatively simple, which is decorated with details of different materials such as iron and copper. The gold color is used to portray the outline of the space, making a connection in a contrast differences.
Ìpèníjà Àpèsè
The palace-like entrance corridor breaks the common perception about office, and it is also technically very different with the office in the past. Whether the traditional Chinese double doors with embedded door nails on it, Mortise and tenon joints, a progressive porch tiles, while at the same time a lot of communication and discussion with the technicians are needed for the design execution.
Ìwádìí
The overall design style derived from the design team concern on the importance of their own tradition and the spirit of reminiscent. Adopting a strong traditional Chinese architectural style to create an ancient-palace-like entry corridor. Using hand-glued gold foil instead of common paint to show the timeless richness. The interior space is based on all white walls, cabinets, desks and chairs, and decorated with beautiful details such as door frames, lamp holders and Chinese cultural elements. Write the design intention between tangible and intangible.
Ìmísí
The designer upholds the fundamental idea of not forgetting own culture and quoting the traditional Chinese style as the main axis of the design and present the common classical elements one by one. A bold and no-hesitation design vocabulary are implemented, hoping that whoever enters the space may have the sense of acceptance, not just as a visitor but as a guest, who is well received. The style is quite different, but it creates a new balance with the extreme, which is the contradictory balance that the design team wants to try.
Àkókò Iṣẹ́ Àkànṣe
This project was completed in December 30th, 2019 in New Taipei City, Taiwan.
Ìlànà Ìṣiṣẹ́
The overall design style is pushed to the extreme. Many seemingly like contrasting elements, whether it is the combination of Chinese and Western cultures, different materials, or the use of single color, which are some rare attempt to be found in commercial space. So, rather than compromising, the design team integrated the conflicting elements in an eclectic way. It is better to say that the design team retains the unique characteristics of each element to the maximum extent within the acceptable range.
Àwọn Ọmọ Ẹgbẹ́
SHEN FU CHEN
Ìfọwọ́sí Àwòrán
Chuang-Chieh Chiu, Jan 2019

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