Emi Kawasaki and Daisuke Kodama 的作品 Dimension in the Shadows 桌历

设计师 Emi Kawasaki and Daisuke Kodama 的作品 Dimension in the Shadows 桌历荣获了极具声望的 2021 A' Design Award 铂金奖，竞赛类别为平面、插画与视觉传达设计。

铂金平面· 2021

Dimension in the Shadows 桌历

设计师： Emi Kawasaki and Daisuke Kodama

客户: Shilushi Inc.

平面类别A' Design Award 铂金奖获奖者

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设计作品

关于 Dimension in the Shadows 桌历

《影中之维》是一款以激光切割黑色卡纸制成的桌历。整套包含十二张月历卡，每张设计各不相同。每张卡片插入小巧木质立方体的开槽中固定。周六、周日及法定节假日的日期为镂空切透，工作日则采用半切工艺。每一幅抽象图形都唤起日本四季更迭的景致。迎光而视，锐利的轮廓宛如一件纸雕作品。随着光线移动，投下的影子不断变换形态，为日常生活增添一份静谧的意趣。

荣誉认可

关于A' Design Award 铂金奖

Dimension in the Shadows 桌历是 A' Design Award 铂金奖得主，这是授予真正卓越、优雅和宏伟设计的极具声望的认可。铂金奖得主是创造的奇迹，是智力创造力极限的见证，展现出其设计师无与伦比的专业精神和天才。这些设计被期待成为定义一个时代的美学、造福社会、并拓展艺术、科学、设计和技术边界的最负盛名的作品。Dimension in the Shadows 桌历展现出超凡脱俗的卓越水准，以其有益而宝贵的特质毫无疑问地让世界变得更美好。Dimension in the Shadows 桌历是一件赢得 A' Design Award 铂金奖的作品，它唤起欲望，启发人心，令人愉悦，并迸发出巨大的喜悦。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Black paperboard is carried out fine laser cut, come out 12 pieces of differently designed monthly calendar cards, mounted each one in a slit of wooden cube. Each figures may causes optical illusion as 3-dimensional. It is worthy for observation as a kind of sculpture, perceive a sharp outline attractively at back light. In every moment, the casted shadow forms different shape from the paper itself according to the light come in, add a little entertainment in everyday scene respectively.
尺寸与包装: Package dimensions: W146mm x D146mm x H36mm
Calendar cards within 135mm square
Wood stand: 25mm cube. (Slit angle: 80 degrees, Depth: 20mm)
标签: calendar, desk calendar, laser cut, light and shadow, dimension, black paper, 3D, silhouette, optical illusion, japan
生产技术: To know and consider the durability of paper and representability by laser cut process, experimental testing was repeated. Using 2 power level of laser, being cut out dates mean Saturday, Sunday and national holiday, other ones of half cutting mean weekdays. It was made fine adjustment to entire balancing with standing posture that depend on the relation between depth and angle of slit when each calendar is inserted in wood cube.
设计挑战: At the first plan, we had aimed to carry out different effect on the card. It's a technique that scrape some parts extremely thinner by laser cut, so that light could be seen through. This was quite unique approach because it would be appear some places of light "come through" and "see
through" mixing on a same paper. But it was required superfine point laser irradiation repeatedly, it causes burnt paper and takes huge amount of time, accordingly, increasing in manufacturing cost. So we changed plan and design as use half cutting for dates number, redesigning by thin line for some parts, those were the realizable plan without load of production speed.
灵感: It is inspired by light and shadow in daily life, which is existing as a matter of course in every era, in every world and in every season. Each abstract object represents a scene and a moment in changing seasons in Japan. An appearance of black Silhouette combines subtlety and boldness, it casts constantly varying shadow like a sundial. Regardless of age or nationality, those abstract figure call forth variety of personal impressions, and inspire each one to expand individual imagination freely.
项目周期: Their originative calendars has been gifted to their clients and business partner on every beginning of the year since the company established 2015. It is not only the tool for expressing gratitude, but also for calling to mind the pure delight and enjoyment of design that has their potential for creativity.
操作流程: Monthly calendar cards are inserted in a slit of wooden cube. At the place receive sun shine or light that let it make shadow, they show and entertain us slow transforming of light and shadow. It is also as a part of the interior object, people will have enjoyment of replacing each calendar card month by month.
团队成员: Art Director & Graphic Designer: Emi Kawasaki
Coordinator: Daisuke Kodama
Print & Processing manufacturer: Shinohara Printing
图片版权: All image: Photographer Naohiro Isshiki