Edoardo Milesi - Archos srl 的作品 Fondazione Bertarelli 音乐厅

设计师 Edoardo Milesi - Archos srl 的作品 Fondazione Bertarelli 音乐厅荣获了极具声望的 2021 A' Design Award 金奖，竞赛类别为建筑与结构设计。

金建筑· 2021

Fondazione Bertarelli 音乐厅

设计师： Edoardo Milesi - Archos srl

客户: Edoardo Milesi - Archos srl

建筑类别A' Design Award 金奖获奖者

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关于 Fondazione Bertarelli 音乐厅

贝塔雷利基金会论坛(Forum Fondazione Bertarelli)是一座可容纳350人的音乐厅,坐落于意大利托斯卡纳马雷马地区阿米亚塔山的山坡上。音乐厅采用基于黄金比例的有机形态,因此声音的放大依靠建筑形体与天然材料本身,而非机械扩声系统。主体结构为彩色钢筋混凝土,外覆保温材料与砖材,弧形氧化钢板则引导访客走向门厅。建筑坐落于一片橄榄树林之中,取代了此前在同一场地上建造九栋住宅楼的规划方案。

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关于A' Design Award 金奖

Fondazione Bertarelli 音乐厅是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计Fondazione Bertarelli 音乐厅将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。Fondazione Bertarelli 音乐厅激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。

设计幕后

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由设计师提供的致谢、团队成员及技术详情。

独特属性: The building, which will be built up from nothing, will be given an organic and perfect form by using golden proportions suitable for improving the acoustics, in order to avoid it from being too rigid, which would not make it fit in the environment created by the light and the patterns created by the wind.
尺寸与包装: The main structure consisting of an underground part at a height of - 4.68 meters with a square and plant roof where the changing rooms and services are located;
the ovoid-shaped part of the central theatre from a height of - 4.68 to a height of 0.00 with the relative terraces, the stage and backstage, the side stairways, the entrance and, on the upper floor, height + 2.70, the director's mezzanine. The roof structure, up to an altitude of + 5.60 above ground.
The Forum has an overall volume of 7,813.34 cubic meters.
标签: Forum Bertarelli, Bertarelli Concert Hall, Edoardo Milesi, Studio Archos
生产技术: A single building consisting of two parts forming a single shape generated by a geometry inspired by the golden section: theatre and multipurpose hall. The main structure is coloured reinforced concrete, soundproofed, insulated and covered with insulating materials and bricks; gypsum plaster; flooring partly in parquet for the theatre, partly in Gress for the logistic parts and partly in industrial concrete for the technical parts; aluminum windows with thermal break, wooden communication doors and partitioning doors. The roof structure it is made of steel with double lens reticular beams; wooden roof structure and relative metal mantle; the wooden false ceiling. Foyer and distribution spaces located on the ground floor level consists of a CORTEN-type steel structure, with spaced portals. It has a roof with a wooden structure and a soundproofed and insulated metal mantle; internal plasterboard false ceiling; perimeter infill (service area only) in plastered brick; steel frames to protect the structures. The noble stone floors, both in the foyer area and in the cloakroom, toilet and office area. External areas: a blade consisting of a CORTEN steel metal structure guides the population from the approach area to the foyer area; the floors provided are in stone, a covered area with glazing outside the foyer is the refreshment area and stone and quarry stabilised paths will connect the theatre / foyer area to the parking area, suitably illuminated and still in the executive design phase.
设计挑战: This is the task of the theatre designed for the Bertarelli Foundation on top of a hill in the Maremma. A concert hall for 350 people. From the sky it looks like a large olive still attached to its nearest leaf. I had never thought of such a result, although the concern of not harming the large olive grove that will host it has always been present.
研究: The Forum Fondazione Bertarelli originates from a thorough study of the settlement models in the inland of the Maremma plains. This 300-seat concert hall has an organic shape, perfectly self-contained and within the golden ratio, whose proportions were designed for non-mechanical acoustic amplification. From a distance as well as from close range, the Forum is not perceived as a building. Being free of openings, its rugged concrete surface with the earth tones of cement is reminiscent of a mound and fortified by wavy oxidised iron plate, which it partially envelops. Going uphill through an olive grove along the iron wall supporting the volume of the hall, we enter the foyer, one dematerialised space flooded by light where the outside landscape is again visible through a glass wall. The music hall can be seen with a single glance from above with the unique surface of the drum-shaped element on which rests the curved wings of the roof that laterally embrace the galleries and conceal the links to the various levels. From the sky, it looks like a big olive still attached to a leaf. The building is in the right position with respect to the views, the height of the pines, and the correct structural attitude on the current ground level, which should not be changed at all. The rain was pouring down and I attended a different concert. The orchestra didn't care about me when I got in the way among the musicians.
The curved iron plate next to the theatre on the sunset side, reminiscent of those used by Richard Serra, leads visitors inside and gradually takes them away from the outside sights, sounds and smells. It marks the limits of the olive grove that stretches to the large pines and it supports the slender iron plate structure, which, like a harp, lets visitors in to the concert.
灵感: The architecture of the concert hall, shaped according to its rational and poetic function, the task of letting instruments play, and the desire to convey emotions, listens and participates without disturbing; it is part of the orchestra and plays its role as a new musical instrument which improves the acoustics of the place. Aesthetic values are not perceived as added, they are part of the building and radiate from it.
项目周期: The project started in June 2010 in Bergamo and finished in June 2013. The construction works have begun in June 2013 and finished in November 2014 in Poggi del Sasso, Grosseto, Italy
操作流程: A concert hall for 350 people, where amplification takes place exclusively thanks to the shape generated by golden proportions and natural materials. Surrounded only by nature on the slopes of Mount Amiata, it providentially replaces a subdivision plan which, in that very place, provided for a complex of nine residential buildings inspired, according to an unfortunately widespread practice, by mimicry and falsification of traditional buildings.
专利: Copyrights belong to Edoardo Milesi & Archos, 2015
团队成员: Architect: Edoardo Milesi & Archos
Engineer: Marco Verdina (structures)
Engineer: Alessandro Nani (plants)
图片版权: Image #1, Photographer Mauro Davoli, 2015
Image #2, Photographer Mauro Davoli, 2015
Image #3, Photographer Mauro Davoli, 2015
Image #4, Photographer Mauro Davoli, 2015
Image #5, Photographer Mauro Davoli, 2015