Mohammad Rahimizadeh and Shaqayeq Nemati 的作品 Esfahan 人行桥

设计师 Mohammad Rahimizadeh and Shaqayeq Nemati 的作品 Esfahan 人行桥荣获了极具声望的 2022 A' Design Award 铜奖，竞赛类别为建筑与结构设计。

铜建筑· 2022

Esfahan 人行桥

设计师： Mohammad Rahimizadeh and Shaqayeq Nemati

客户: Kalbod Studio

建筑类别A' Design Award 铜奖获奖者

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验证 #137566 的获奖状态

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关于 Esfahan 人行桥

Esfahan 是一座为伊朗伊斯法罕某场地设计的人行桥。该桥连接一处科技贸易中心与一座博物馆花园，并服务于周边的高校、科研机构与产业园区。展厅、中央庭院与休憩区沿步行路径布置，使这一跨河通道同时成为公共空间。其形态借鉴了伊斯法罕的历史桥梁，包括哈鸠古桥（Khajoo Bridge）。设计运用镜像对称手法，使立面与其在河面上的倒影共同构成一个完整的图案。内部空间具有灵活性，可容纳多种不同用途。

荣誉认可

关于A' Design Award 铜奖

Esfahan 人行桥是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Esfahan 人行桥将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Esfahan 人行桥出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
尺寸与包装: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
标签: Technology , bridge , Exhibition , Recreational , tourism , iran
生产技术: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
设计挑战: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
研究: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
灵感: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
项目周期: esfahan - iran
操作流程: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
团队成员: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -