设计师 Ye Feng 的作品 Weaving 真丝丝巾荣获了极具声望的 2023 A' Design Award 铁奖，竞赛类别为纺织品、面料、纹理、图案与织物设计。

铁纺织· 2023

Weaving 真丝丝巾

设计师： Ye Feng

客户: Communicate University of Zhejiang

纺织类别A' Design Award 铁奖获奖者

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关于 Weaving 真丝丝巾

《织》是一款可由佩戴者自行重组的互动式真丝丝巾。方形丝巾尺寸为1000毫米×1000毫米。两条织带以经纬交错的方式穿过巾身,取材于中国传统织造工艺。使用者向四个方向拉动织带,即可改变图案,最多可形成16种不同的视觉组合。该设计使丝巾从平面形态转变为立体造型。图案采用数码印花工艺,在每一种组合中都能保持精准对位。

荣誉认可

关于A' Design Award 铁奖

Weaving 真丝丝巾是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Weaving 真丝丝巾将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Weaving 真丝丝巾因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: WEAVING break the shackles of the traditional two-dimensional space, making silk scarfs three-dimensional. By creating a warp and weft weave, the two tapes are crossed across the body of the scarf, giving it a new form of expression. In the process of using it, users can change the pattern of the silk scarf by twitching the drawstring, forming up to 16 different visual effects of arrangement and combination. This not only allows users to experience a new way of using silk scarves, but also makes them less likely to get tired of a "fixed" silk scarf.
尺寸与包装: 1000mm *1000mm
标签: Chinese-style techniques, Traditional culture, Innovation experience, Silk scarf, Interactive textile products
生产技术: Digital printing is printing with digital technology. Digital printing technology is a high-tech product that integrates mechanical and computer electronic information technology with the continuous development of computer technology. With the increasingly diversified needs of customers, the traditional grey cloth printing has gradually developed from mass production to small batch and multi-variety personalization. The digital printing scarf not only has high quality and good output effect, but also can meet the needs of customers for small batch and personalized printing. Digital printing technology meets the increasingly diversified market demand with its advantages of high efficiency, low cost, good printing effect and less pollution, which brings an unprecedented development opportunity for textile printing and dyeing.
设计挑战: In this design process, the biggest adjustment is to make the warp and weft weaving method through structural exposure, so that users can immerse into the experience, and at the same time the problem relating to pattern cohesion will be solved.
研究: Through researching traditional craftsmanship and traditional culture, a large amount of documentary material is compiled to select appropriate innovative methods for silk scarves and modernize their expression by using Chinese-style techniques in order to complete the design practice. Meanwhile, appropriate pattern contents are selected to form a seamless integration under various combinations. In this way, the user's attention to traditional craftsmanship and traditional culture is ignited and innovative development of silk scarf products is formed.
灵感: In the 20th century, women fully exercised their wisdom in using silk scarves. It became a great companion in their social lives and workplace. The real formation of the modern silk scarf was in the 1920s, when the traditional use of long shawls and headscarves was gradually out of fashion, and the techniques of folding and knotting of neck scarves were slowly paid attention to. 100 years have passed, though the silk scarf has been a very important component in the fashion industry, design innovation seems to be forgotten except for merely patterns.
China is the largest silk producer with a history of more than a thousand years. The craft of silk production has spread widely, evolving a variety of delicately intangible cultural heritage skills, of which the core is about the different interpretations of the warp and weft weaving method. The wisdom of the warp and weft weaving method should be able to be presented in the form and usage of silk scarf products, providing consumers with a brand new silk scarf product in the late 100 years, and it allows traditional Chinese culture to breathe a new life and shows vitality into silk scarf products.
Further, it is observed that another traditional wisdom in the world (Huarongdao Klotski) presents different permutations and combinations by moving the slider, which is conducive to solving the drawback brought by static graphics as it will lead to aesthetic fatigue.
Under the situation that silk scarf has fallen into innovation stagnation, the original purpose and inspiration of this design is to promote the innovative development of silk scarf, rekindle users' interest and concern for silk scarf products in the context of digital economy, and also to better let users experience the traditional wisdom and culture, bringing greater value to silk scarf products.
项目周期: The project started in April 2021 in Tongxiang,CHINA and finished in December 2022 in Tongxiang,CHINA
操作流程: 1 Unfold the silk scarf
2 Draw the tapes in any of the four directions based upon preferences to form different arrangements
3 Pick your favorite combination of arrangements and put on
4 Have a bright mood, bingo!
团队成员: YE Feng
图片版权: Image #1: Photographer ZHANG Zhaoguo, 2022
Image #2: Photographer ZHANG Zhaoguo, 2022
Image #3: Photographer ZHANG Zhaoguo, 2022
Image #4: Photographer ZHANG Zhaoguo, 2022
Image #5: Photographer ZHANG Zhaoguo, 2022