设计师 Lai Jiebin 的作品 Interference 雕塑艺术荣获了极具声望的 2023 A' Design Award 银奖，竞赛类别为美术与艺术装置设计。

银美术· 2023

Interference 雕塑艺术

设计师： Lai Jiebin

美术类别A' Design Award 银奖获奖者

54,789

已验证的获奖者

验证 #148173 的获奖状态

访问网站在A' Design Award上查看新闻稿获奖徽章

色彩

设计作品

关于 Interference 雕塑艺术

树的形态象征着自然，布料象征着人类对自然的干预。作品将自然的原始本质与人类干预的可能性相碰撞，创造了一个以生态为主题的场景空间，并将宋代文人画中的树木造型元素应用于雕塑之中。当人们凝视这些作品时，会思考人类的去向以及自然与人类之间的关系。

荣誉认可

关于A' Design Award 银奖

Interference 雕塑艺术是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Interference 雕塑艺术将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Interference 雕塑艺术是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: The tree shape symbolizes nature, and the cloth on it symbolizes the interference of human forces in nature. It collides the primitive nature of nature with the possibility of human interference, suggesting that although the environmental situation of today's highly developed earth looks very beautiful, it has major hidden dangers. When people stare at the works, they think about the future of mankind and the relationship between nature and mankind.
尺寸与包装: Each monomer is about 4.8m long, 1.5m wide and 2.5m high
标签: Sculpture, public art, contemporary art, ecological art
生产技术: Transparent resin is selected for material creation through 3D printing technology to explore the performance of 3D printing technology in the context of contemporary art, create a tragic scene space with the theme of ecology, reflect the natural attribute, spatial expression and artistic conception transmission of transparent resin, apply the modeling elements of trees in Chinese traditional literati paintings of Song Dynasty to sculpture, and retain Chinese classical aesthetics, Make the whole work present an elegant state.
设计挑战: Create a visual and touchable artistic image with a certain space, so as to reflect social life and express aesthetic feeling, aesthetic emotion and aesthetic ideal
研究: The emergence of ecological art reflects people's reflection and Reflection on the consciousness of environmental damage, and is the expression of the progress of the times. As a work of public art, with the eyes of criticism and reflection, it has more profound value and contribution to the disclosure of the contradiction between man and nature, and can also reflect the level of civilization.
灵感: The inspiration comes from the author's childhood rural life. In the process of perceiving the "tree" since childhood, what lingers is that the "tree" is used in the form of tools to provide daily necessities and "service" for drying quilt covers for people living nearby. The author felt sad about the "pressure" of trees since childhood. Why should a tree bear so much weight for mankind. Nowadays, people's interference with nature is more like one quilt after another
项目周期: The project was completed in April 2022, and was exhibited in Shandong Art Museum in May 2022, 798 Art District in Beijing in June 2022, and the Himalayan Art Museum in Shanghai in December 2022. It is now collected by Zhuhai Huanyu City
操作流程: Compared with literati paintings in other times, Chinese literati paintings in Song Dynasty have more obvious characteristics, rich ideas and simple painting style, which has great reference value for the current painting art. The shape of the tree in the works is inspired by the literati painting of the Song Dynasty. Through repeated deliberation on the tree language in the literati painting of the Song Dynasty, it is finally presented in its own works.
图片版权: Image # 1, # 2, # 3, # 4, # 5 artist Lai jiebin