设计师 Nataliya Naymark 的作品 Madonna 瓷砖系列荣获了极具声望的 2026 A' Design Award 铜奖，竞赛类别为建筑材料与建筑构件设计。

铜建筑构件· 2026

Madonna 瓷砖系列

设计师： Nataliya Naymark

客户: NNaymark.design

建筑构件类别A' Design Award 铜奖获奖者

10,718

已验证的获奖者

验证 #180369 的获奖状态

在A' Design Award上查看新闻稿获奖徽章

色彩

设计作品

关于 Madonna 瓷砖系列

Madonna瓷砖系列将15世纪圣像画中的织物褶皱结构转化为模块化陶瓷浮雕系统。通过精准的几何造型与校准的色彩分层，绘画中的织物褶皱被转化为具有触觉深度的三维表面。每块瓷砖均可旋转和组合，在墙面、地面或天花板上创造出多变而非重复的构图。金属光泽细节与反应釉效果带来丰富的色彩层次，使历史性的视觉语言得以在当代建筑语境中焕发生机。

荣誉认可

关于A' Design Award 铜奖

Madonna 瓷砖系列是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Madonna 瓷砖系列将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Madonna 瓷砖系列出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Madonna is a modular ceramic tile collection translating 15th-century Madonna drapery into calibrated relief. Symbolic painted folds become structured physical depth. The rotational geometry enables controlled non-repetition across small and large surfaces, functioning as architectural structure rather than ornament. The system creates directional movement and allows scalable application across interiors.
尺寸与包装: 300 x 300 mm
标签: tile, pattern, Ornament, Ceramic, Renaissance
生产技术: Production combines high-pressure press-molding to generate calibrated 3D relief replicating drapery folds, followed by HD digital inkjet printing for chromatic fidelity to 15th-century iconography. Select areas receive third-fire luster application (or PVD metallization) for permanent metallic gold accents. Reactive glaze layering creates controlled oxidation effects, producing an aged patina with depth and surface tactility.
设计挑战: The main challenge was translating sacred iconography into contemporary ceramic without losing its dignity or becoming decorative imitation. Historically, folds in icons are symbolic, not naturalistic. Converting this painted illusion into structural relief required balancing authenticity with manufacturability. Limited glaze behavior, metallic firing constraints, and repeat-pattern logic demanded constant recalibration between art history and industrial feasibility.
研究: Historical visual research. Objective: translate 15th-century Madonna icon drapery into a modular ceramic system adaptable to modern interiors. Methodology: comparative analysis of icon paintings focusing on color layers, fold geometry, and compositional rhythm. Tools: archival study, chromatic mapping, 3D modeling. Experiments tested fold positioning and rotation. Result: a non-repetitive surface system. Insight: sacred color logic can inform contemporary design. Impact: bridges heritage and scalable interior production.
灵感: The project was developed after extensive visual research of 15th-century Madonna icon paintings, focusing on the way drapery, color gradients, and layered folds were rendered. I studied multiple variations of fabric depiction to understand their geometric logic and chromatic structure. The tile design translates these historical folding patterns into a contemporary ceramic surface, preserving the rhythm and tonal depth characteristic of early Renaissance garments.
项目周期: September 2025
操作流程: Each tile is designed to be rotated and combined in multiple positions, allowing endless pattern variations. One module can create a subtle surface, while a full set produces complex, flowing compositions. This system prevents visual repetition, so a space can feel different from every angle. The same pattern logic extends to wallpaper, textiles, and upholstery, creating a cohesive yet dynamic interior language.
团队成员: Nataliya Naymark
图片版权: Nataliya Naymark