设计师 Hiroyuki Shinohara 的作品 Suzumushi Tea House 荣获了极具声望的 2026 A' Design Award 银奖,竞赛类别为文化遗产与文化产业设计。
银文化遗产· 2026
Suzumushi Tea House
设计师: Hiroyuki Shinohara
客户: Craft Desgin Research Lab
文化遗产类别A' Design Award 银奖获奖者
已验证的获奖者
验证 #182206 的获奖状态设计作品
关于 Suzumushi Tea House
Sounds of Suzumushi is a series of woven bamboo pavilions that reinterpret traditional basketry as inhabitable architecture. Using the Kagome weaving technique, long bamboo strips are interlaced to form lightweight, self supporting enclosures without mechanical fasteners. Digital modeling and structural simulation translate tacit craft knowledge into scalable construction, enabling forms from intimate seating to a pavilion for small gatherings. Filtered light, tactile surfaces and integrated sound create a calm sensory environment, renewing bamboo weaving as a contemporary social space.
荣誉认可
关于A' Design Award 银奖
Suzumushi Tea House是 A' Design Award 银奖得主,这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品,展现出其设计师杰出的专业技能、才华与敏锐。预计Suzumushi Tea House将成为一件出色的典范之作,兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明,造福并拓展艺术、科学、设计和技术的边界。Suzumushi Tea House是一件令人羡慕的创作,它唤起渴望,带来积极的情感,并激发惊叹与赞叹。
设计幕后
媒体资料包
由设计师提供的致谢、团队成员及技术详情。
- 独特属性
- Sound of Suzumushi is a 20 sq.m woven bamboo pavilion for deTour 2023 at PMQ, Hong Kong, featuring torus-shaped seating baskets (2.5m & 1.5m diameters) via Kagome triaxial weaving. Unique for scaling handicraft to architecture with embedded video of craft processes, it offers tactile rest spaces, raises heritage awareness, and integrates computational form-finding with manual execution for superior structural lightness and sustainability.
- 尺寸与包装
- Site Area: 20 sq.m
Diameter: 2500mm (large), 1500mm (small)
Height: 2500mm
Moso Bamboo strips: 5-8mm thick x 10-15mm wide. - 标签
- bamboo weaving, Kagome structure, computational design, craft preservation, Hong Kong heritage, architectural prototype, tactile installation, cultural propagation
- 生产技术
- Kagome triaxial weaving analyzed via Grasshopper algorithms modeling bamboo strip topology (10cm grid), materiality, and physics simulation (Oasys gsa fea for deflection/bending under gravity/lateral loads). Validated by 3-point bending/strain gauge tests on mock-ups. Pre-woven components assembled on-site with scaffolding/forklifts; Moso bamboo strips split to 5-8mm thickness, interlocked sans fasteners for self-bracing reciprocal structure.
- 设计挑战
- The toughest challenge was scaling delicate Kagome weaving from small baskets to 2.5m architectural forms, where manual techniques faltered on strip handling and wind resistance. Internally, capturing tacit knowledge from scarce experts proved elusive amid the historical decline of craft. Externally, sparse local bamboo sources, PMQ site weather disruptions, and coordinating volunteers posed hurdles. We overcame these through iterative finite element analysis and mock-ups, introducing forklifts and scaffolding for assembly, ultimately delivering a lightweight, reusable structure that advances craft viability.
- 研究
- This design research explores scaling Hong Kong’s traditional bamboo weaving into architecture. Objectives focus on digitizing implicit craft skills for broader use and creating inhabitable structures. The methodology involves analyzing Kagome techniques, building Grasshopper models with material simulations, and testing mock-ups using Rhino/Grasshopper, Oasys GSA for finite element analysis, and strain gauges.
Results yielded stable torus pavilions; insights reveal craft-digital tools propagate heritage. Impacts enhance sustainable design, societal craft awareness, and business in renewables. - 灵感
- The inspiration stems from the endangered bamboo weaving craft in Hong Kong, exemplified by master Lui Ming (age 79). Motivated by the decline of implicit craft knowledge due to industrialization, this project seeks to preserve and propagate it through architectural applications, transforming traditional Kagome techniques into scalable, inhabitable structures that promote cultural heritage and the use of renewable materials.
- 项目周期
- The project was designed and constructed from August 2023 to December 2023 in Hong Kong, with primary installation at pmq cultural complex terrace, Central, Hong Kong, for deTour Design Festival 2023. Pre-weaving occurred at cuhk School of Architecture workshops; on-site assembly involved volunteers.
- 操作流程
- Visitors approach the pavilion on pmq terrace, enter the larger woven basket to sit or recline on curved bamboo seats, feeling the smooth, flexible weave. Touch reveals craft texture; inside, a video plays craft stories, evoking bell-cricket “suzumushi” sounds metaphorically. Interaction flows from rest to reflection, outperforming rigid benches by inviting sensory immersion and heritage connection in urban bustle.
- 图片版权
- Image Credit: Craft Design Research Lab
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