设计师 Nhi Ton 的作品 Mobius Pendant Lamp 吊灯荣获了极具声望的 2020 A' Design Award 铜奖，竞赛类别为照明产品与灯具设计。

铜照明· 2020

Mobius Pendant Lamp 吊灯

设计师： Nhi Ton

客户: Nhi Ton

照明类别A' Design Award 铜奖获奖者

16,278

已验证的获奖者

验证 #87443 的获奖状态

访问网站在A' Design Award上查看新闻稿获奖徽章

色彩

设计作品

关于 Mobius Pendant Lamp 吊灯

这种可重配置的灯是Nhi Ton对山区和山谷折纸褶皱进行研究和应用的设计结果，这些褶皱表明了运动，结构和灵活性。通过该结构，它允许用户进行交互并转换形状以适合其环境和需求。灯罩还采用了莫比乌斯带的特定形式，其中通过空间扭曲的简单权宜方式，使上表面和下表面连续，作为我们人类体验的有意识和无意识维度的艺术表现。

荣誉认可

关于A' Design Award 铜奖

Mobius Pendant Lamp 吊灯是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Mobius Pendant Lamp 吊灯将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Mobius Pendant Lamp 吊灯出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: This reconfigurable lamp is an applied design result of my research and study on the mountain and valley origami folds which suggest motion, structure, and flexibility. Structure as form, form as structure. The lampshade furthermore takes on the specific form of the Mobius Strip in which top and bottom surfaces are made continuous through the simple expedient of a twist in space as the artistic representation of the conscious and unconscious dimensions of our human experience. Thanks to the structure that the folds created, the lamp can transform the shape to engage user interaction.
尺寸与包装: 610 mm x 305 mm x 1270 mm
标签: lighting, reconfiguredesign, moebiuspendant, origamilamp, Origamidesign, motionlamp , motiondesign
生产技术: The lampshade was made out of a folded single flat sheet of paper covered in linen fabric. The mechanism of the lamp was designed with a combination of simple existing hardware and CNC cut brass plates and discs for containing electrical parts. All parts designed for disassembly, a simple manufacturing process.
设计挑战: Since this is a research about the methodology of origami folds, It was difficult to navigate and plan out specific steps for study at the beginning. However, after getting started, I was driven into this deeply and started to generate testing and testing. It was a very exciting moment and very emotional. Also, designing with several values that I had such as lean manufacturer is also a challenge. However, working with the manufacturer to figure out cost and process helped me to clarify and execute my work.
研究: My project pushes origami capacities beyond the traditional decorative arts. If we use origami principles at a different scale, we can generate geometric forms that are structural, flexible, and dynamic from one flat sheet of material. In this project, I combined the unique qualities of origami, specifically mountain and valley folds, with the concept of lean manufacturing to create a series of meaningful products.
Starting with generating shapes and exploring patterns for creating the structures for strength test, I came up with three seating objects out of 6 pieces of scored and folded papers that could hold 230 lbs. This exploration helped me to learn about the personality of the folds and materials, the ratio between thickness and length of the fold and how it affected the strength of shape. The area that folds converged was the strongest and how I could make use of the density later on in the design ideation phase.
After the exploration, I started finding ways to apply my origami understanding to design new products focusing on using origami properties at a larger scale, in the creation of a product that utilizes minimal material and a single, refined manufacturing process.
I collaborated with Weber, packaging, and display design company, to gain insights about the manufacturing process including materials, cost, production time, energy efficiency, zero to minimal waste.
灵感: As in the Taoist principle of dynamic reconciliation of opposites we know as yin yang, my pleated work of paper and fabric elegantly folds together solid and void, surface and depth, light and dark, strong and fragile, perhaps male and female and Eastern and Western, to create beautiful yet practical pieces of furniture. This project emphasizes the value of such basic mountain and valley origami folds and applies its fundamental to design products.
项目周期: The project started from August 2018 to April 2019 at the University of the Arts, and was exhibited in AIA Architecture and Design Center in May 2019.
操作流程: Used as a pendant light or decorative statement piece. Users can easily adjust the shape of the lampshade to fit their environment and interest by rotating two triangle plates.
团队成员: Nhi Ton
图片版权: Nhi Ton
Matt Kullman