设计师 Boney Keriwala and Alak Parmar 的作品 Wrapped Volumes 售楼处 荣获了极具声望的 2020 A' Design Award 银奖,竞赛类别为建筑与结构设计。
银建筑· 2020
Wrapped Volumes 售楼处
设计师: Boney Keriwala and Alak Parmar
客户: The BAD Studio
建筑类别A' Design Award 银奖获奖者
已验证的获奖者
验证 #98323 的获奖状态设计作品
关于 Wrapped Volumes 售楼处
《包裹体量》是一座位于工业城市郊区的临时售楼处。基地周边缺乏强烈的既有环境脉络,因此设计从进场道路中汲取灵感。道路的动线被转译为一道连续包裹的立面,将建筑体量自地面托举而起。包裹体的部分区段化为景观层面,另一些部分则成为保护性表皮,削减来自南向的得热。立面采用肋纹灰泥饰面,由当地工匠手工制作。紧凑的室内空间沐浴在自然光之中。
荣誉认可
关于A' Design Award 银奖
Wrapped Volumes 售楼处是 A' Design Award 银奖得主,这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品,展现出其设计师杰出的专业技能、才华与敏锐。预计Wrapped Volumes 售楼处将成为一件出色的典范之作,兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明,造福并拓展艺术、科学、设计和技术的边界。Wrapped Volumes 售楼处是一件令人羡慕的创作,它唤起渴望,带来积极的情感,并激发惊叹与赞叹。
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由设计师提供的致谢、团队成员及技术详情。
- 独特属性
- Being a temporary structure, the idea was to reduce the cost and at the same time giving a visitor a sumptuous feel. Translating the movement of road and WRAPPING VOLUMES gives excellent vibrant spaces, where light and shadow play equally important roles in intensifying the geometry. The office weaves the landscape and structure by engaging visitor to transcend from exterior to interior spaces to experience a sumptuous character of compact interior spaces washed in natural light..
- 尺寸与包装
- 15550mm x 10250mm x 4475 mm
- 标签
- Architecture, Commercial, Wrapped Volumnes, Design, Commercial Architecture,
- 生产技术
- The building is composite structure with partial metal columns and insulated corrugated sheet roofing along with partial R.C.C frame structure to support roof. Tinted Glass glazing enhances the floating mass levitated through metal columns. The facade is ribbed plaster manually crafted by local craftsman. The flooring is cement texture finished vitrified tiles, while landscape zone comprises of Kota Stone, along with paving blocks in the outdoor pathways and parking zone.
- 设计挑战
- It was difficult for local masons to understand and construct the structure with a complex geometrical form. To overcome this, we mapped the points on-site by erecting poles and tying a string to achieve the form. Secondly, the facade poses a ribbed plaster. Generally, plaster tends to fall off if hit hard. We tried to re-create the ratio of cement to sand until the plaster firmly adhered to the wall. A series of samples with different size and proportions were created as a part of the research.
- 研究
- We stared our initial research by understanding the immediate context and approach to the site to understand the flow of users . It was also important to keep in mind the typology of people visiting the building to retain hierarchy of public to private places. Analyzing the climatic factors to device the allocation of spaces to achieve diffused natural light into the interior spaces. It was very important to achieve a striking material aspects, responding to climate and local availability.
- 灵感
- The site lacks specific context, at the same time the connecting approach road chops the site into a trapezoidal shape. We tried to transform this progressive movement of the road along the site into geometry by wrapping up the spaces into a continuous facade, With an intent where the structure lifts itself up from the ground and transforms itself into a dynamic geometry. Some parts of this wrap form a landscape layer, while others a protective skin, reducing the heat gain from the south.
- 项目周期
- The project started in November 2018 and got completed in February 2019, The Project is located in Bharuch, Gujarat, India
- 操作流程
- As one enters, tones of grey on wall and floors are complemented by the outdoor greens of landscape, drawing an individual to a reception foyer. The sales area along the south side receives filtered light through the wrapped facade with minimal heating. Being a compact space, the passage along the north side with glass pane brings ample natural light giving a larger feel. The movement terminates at the director’s cabin, a lavish space with an outdoor deck and connecting green space.
- 团队成员
- Boney Keriwala, Alak Parmar, Taikhum Shaikh, Aadil Amla
- 图片版权
- Image courtesy : Panchkon Stills, Mr. Yash Parekh
Image #1 : Panchkon Stills
Image #2 : Panchkon Stills
Image #3 : Panchkon Stills
Image #4 : Panchkon Stills
Image #5 : Panchkon Stills
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