For Georges Rousse Indondo ngu-Hasong Lee

Umdwebo For Georges Rousse Indondo ngu-Hasong Lee ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2020 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Umklomelo.

IsilivaUmklomelo· 2020

For Georges Rousse Indondo

ngu Hasong Lee

Iklayenti: Hasong Lee

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Umklomelo

85,670

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#104814

Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-For Georges Rousse Indondo

Ithi For Georges Rousse iyindondo eyakhelwe njengendlela yokuhlonipha umthwebuli wezithombe waseFrance. Le ndondo iyisithombe esibaziweyo esineziqondiso ezintathu (three-dimensional) esisekelwe ku-anamorphosis, umphumela wombono lapho isimo sibukeka sisontekile uma ubukwa emikhawulweni eminingi. Uma sibukwa endaweni ethile ekhethekile, izindiza ezigoqiwe ziyahleleka bese zikhombisa isiyingi esisicaba esinezimbotshana ezinemibala. Isimo senziwe ngohlelo lwekhompyutha oluneziqondiso ezintathu. Amapuleti e-cupro-nickel nesiliva anqunyiwe, agoqwa futhi ashiselelwa, bese enikwa umbala ngokushisa ukudala umehluko phakathi kokumnyama nokumhlophe. Le ndondo ikala amamilimitha angu-115 nangu-137 nangu-154.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

For Georges Rousse Indondo iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. For Georges Rousse Indondo ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. For Georges Rousse Indondo iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Izilinganiso Nokupakisha: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Amathegi: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Ubuchwepheshe Bokukhiqiza: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Inselele Yokudweba: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Ucwaningo: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Ugqozi: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Ubude Bephrojekthi: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Ukuhamba Kokusebenza: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Amalungu Eqembu: Hasong Lee
Amakhredithi Ezithombe: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.