The Pitched Roof Indlu ngu-Takaharu Tezuka and Yui Tezuka

Umdwebo The Pitched Roof Indlu ngu-Takaharu Tezuka and Yui Tezuka ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ezokwakha, Izakhiwo Nezinhlaka.

IsilivaEzokwakha· 2021

The Pitched Roof Indlu

ngu Takaharu Tezuka and Yui Tezuka

Iklayenti: Tezuka Architects

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ezokwakha

20,495

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#117210

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-The Pitched Roof Indlu

I-Pitched Roof yindlu enesitezi esisodwa e-Karuizawa, e-Japan, embozwe ophahleni oluqinisekile olulula kakhulu. Amaphesenti angamashumi amane kuphela endawo engaphansi kophahla avalelwe, ngakho-ke umngcele phakathi kwangaphakathi nangaphandle uhlala uthambile. Uphahla olweqile lufinyelela ngaphezu kwamamitha ayisithupha ngesakhiwo esiwubukhulu obungamamilimitha angama-200 kuphela. Indawo egoqiwe, ebumbeke ngendlela ye-L isebenza njengelungu elingu-monocoque futhi inciphisa iziseko ezidingekayo. Iminyango eshelelayo ivumela abahlali ukuthi bashintshe uhlobo lwendawo yokuphila. Le ndlu ihumusha kabusha amaphahla aphakeme ejwayelekile e-Japan.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

The Pitched Roof Indlu iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. The Pitched Roof Indlu ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. The Pitched Roof Indlu iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Izilinganiso Nokupakisha: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Amathegi: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Ubuchwepheshe Bokukhiqiza: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Inselele Yokudweba: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Ucwaningo: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Ugqozi: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Ubude Bephrojekthi: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Ukuhamba Kokusebenza: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Amalungu Eqembu: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Amakhredithi Ezithombe: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.