Takanabe Ninomaru Imyuziyamu Yomlando ngu-Tomohiro Kaji

Umdwebo Takanabe Ninomaru Imyuziyamu Yomlando ngu-Tomohiro Kaji ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2025 Umklomelo Wegolide we-A' Design Award Esigabeni Somncintiswano se-Ifa Lamasiko.

IgolideIfa Lamasiko· 2025

Takanabe Ninomaru Imyuziyamu Yomlando

ngu Tomohiro Kaji

Iklayenti: Takanabe Town Hall

Umnqobi we-Umklomelo Wegolide we-A' Design Award Esigabeni se-Ifa Lamasiko

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#167822

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Takanabe Ninomaru Imyuziyamu Yomlando

I-Takanabe Historical Museum, eyasungulwa ngo-1986, yaphinde yabuyekezwa ukuze kuxazululwe ukwehla kokuzibandakanya kwezivakashi ngenxa yemibukiso ephelelwe yisikhathi. Ukwakhiwa kabusha kwamukela i-JIN, ifilosofi yomusa, kwayiguqula yaba yisikhungo senkhuleko-luntu nezemfundo esigqugquzela ukuziqhenya kwezakhamuzi. Ngokulandisa ngokubukwayo nokwakha indawo, ukuvuselelwa kwethula ukuqoqwa ngezindikimba, imibukiso egxilile, namaphaneli e-acrylic amaningi amele ukuqhubeka komlando. Eyaqanjwa kabusha ngokuthi i-NINOMARU History Museum, manje isebenza njengendawo yokusebenzisana lapho ifa, imfundo, nomphakathi kuhlangana khona.

Ukuqashelwa

Mayelana ne-Umklomelo Wegolide we-A' Design Award

Takanabe Ninomaru Imyuziyamu Yomlando iwinile uMklomelo Wegolide we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo yeklasi yokuqala, emangalisayo nephawulekile. Abawinile beGolide yimiklamo emisha kakhulu, enombono ongaphambili futhi egqamile ebonisa ubuhlakani, ukuhlakanipha nobuchule babaklami babo. Takanabe Ninomaru Imyuziyamu Yomlando ilindeleke ukuba ibe yinto entsha edunyiswe kakhulu, ebeka isitayela futhi ebalulekile elethe inani elingakaze libonwe. Lo mklamo owinile uMklomelo Wegolide we-A' Design Award ungumgomo omangalisayo nohlonishwayo osiza kakhulu futhi osunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Takanabe Ninomaru Imyuziyamu Yomlando idala imizwa ejulile yesifiso, ivuse intshiseko, ikhuthaze ukudala futhi iyasiheha.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Izilinganiso Nokupakisha: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Amathegi: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Ubuchwepheshe Bokukhiqiza: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Inselele Yokudweba: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Ucwaningo: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Ugqozi: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Ubude Bephrojekthi: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Ukuhamba Kokusebenza: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Amakhredithi Ezithombe: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)