Umdwebo Seylan Isethi Kasofa ngu-Nastaran Khanzade ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2026 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ifenisha.
IsilivaIfenisha· 2026
Seylan Isethi Kasofa
Iklayenti: Rendi
Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ifenisha
Umnqobi Womklomelo Oqinisekisiwe
Qinisekisa Isimo Somklomelo se-#174865Ukuklama
Mayelana ne-Seylan Isethi Kasofa
USeylan uyisethi kasofa eyakhelwe izindawo zokuhlala zesimanje. Isimo sayo sigqugquzelwe amajika ageleza kahle ombhalo wesandla wamaPheresiya i-Nastaliq. Imigqa eqhubekayo namajika athambile kuthatha indawo yamaengele abukhali, ngakho isethi kasofa ibukeka njengomsebenzi wobuciko obuqoshiwe uma ibukwa nhlangothi zonke. Isakhiwo senziwe ngokhuni oluqinile, olulolongwe ngokusikwa nge-CNC bese luqoshwa, luhlikihlwa futhi luphothulwa ngesandla. Indawo yokuhlala yakhiwe nge-foam enokuminyana okuphezulu ebekwe ngezingqimba, embozwe ngendwangu, futhi amajika aqondisa ukuhlala ngendlela enethezekile. Isethi ihlanganisa isihlalo somuntu oyedwa nesihlalo sabantu abathathu. Inhloso ukuletha ubuciko bendabuko ezindaweni zangaphakathi zesimanje.
Ukuqashelwa
Mayelana ne-Umklomelo Wesiliva we-A' Design Award
Seylan Isethi Kasofa iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Seylan Isethi Kasofa ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Seylan Isethi Kasofa iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.
Ngemuva Kokuklama
Iphakheji Yabezindaba
Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.
- Izici Ezihlukile
- What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
- Izilinganiso Nokupakisha
- Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm
Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm
Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery
Production Technique:
CNC Machining Combined With Hand Carving And Finishing
Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping - Amathegi
- Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
- Ubuchwepheshe Bokukhiqiza
- The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
- Inselele Yokudweba
- One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
- Ucwaningo
- This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
- Ugqozi
- The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan. - Ubude Bephrojekthi
- The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
- Ukuhamba Kokusebenza
- The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.
Okuxhasiwe
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