Art Omi Deconstructive Utopia Igalari Yedizayini ngu-Daria Yang Du

Umdwebo Art Omi Deconstructive Utopia Igalari Yedizayini ngu-Daria Yang Du ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2026 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ezokwakha, Izakhiwo Nezinhlaka.

IsilivaEzokwakha· 2026

Art Omi Deconstructive Utopia Igalari Yedizayini

ngu Daria Yang Du

Iklayenti: DD Studio

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ezokwakha

23,338

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#176619

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Art Omi Deconstructive Utopia Igalari Yedizayini

I-Art Omi Deconstructive Utopia yigalari yedizayini kanye nesakhiwo sombukiso esise-Hudson Valley, esimboza cishe amamitha-skwele angu-12000 sqft. Igobolondo likakhonkolo eligobile lakhiwa ngokusekelwe ezifundweni zokuphuma komoya kwamabhaluni futhi labunjwa ngezinsimbi zokubumba ezisikwe nge-CNC ukuze kutholakale ukugoba okunembile. Maphakathi nendawo, kugcinwe isikhala esiyindilinga njengendawo enkulu yombukiso kanye nomnyango womphakathi. Indlela isuka entshonalanga iye empumalanga, izungezwe amawekishophu futhi iphelela echibini. Amastudiyo alenga asebenzisa izinsimbi ezilula zensimbi ezimbozwe ngokhuni. Amaphaneli okhuni afudumele agcwalisa ingaphakathi futhi athuthukisa umsindo.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Art Omi Deconstructive Utopia Igalari Yedizayini iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Art Omi Deconstructive Utopia Igalari Yedizayini ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Art Omi Deconstructive Utopia Igalari Yedizayini iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Izilinganiso Nokupakisha: Size: 12000ft²
Amathegi: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Ubuchwepheshe Bokukhiqiza: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Inselele Yokudweba: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Ucwaningo: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Ugqozi: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Ubude Bephrojekthi: Art Omi in Hudson Valley
Ukuhamba Kokusebenza: Individual Work
Amakhredithi Ezithombe: All Design & Illustration & Drawing & Physical Model by Daria Yang DU