Suwen Guqin ngu-Shanghai Yitong Cultural Communication Co.,Ltd.

Umdwebo Suwen Guqin ngu-Shanghai Yitong Cultural Communication Co.,Ltd. ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2026 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Insimbi Yomculo.

IbhulonziInsimbi Yomculo· 2026

Suwen Guqin

ngu Shanghai Yitong Cultural Communication Co.,Ltd.

Iklayenti: Shanghai Yitong Cultural Communucation Co.,Ltd.

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Insimbi Yomculo

15,175

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#180049

Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Suwen Guqin

I-Suwen iyi-guqin, insimbi yomculo yezintambo yendabuko yaseShayina, ehunyushwe kabusha ukuze idlalwe ngendlela yesimanje. Isimo sayo silandela i-qin yesikhathi sobukhosi bakwa-Tang egcinwe eThempelini lase-Horyuji. Ibhodi lomsindo lakhiwe ngomsedari omdala noma nge-paulownia, kanti ingemuva lakhiwe nge-catalpa. Ingqimba eyisisekelo ihlanganisa umlotha wezimpondo zenyamazane kanye ne-lacquer eluhlaza. Umgodi wangaphakathi owakhelwe ukuphuma komsindo ngobuchwepheshe unika umzimba omncane ithoni nevolumu yensimbi yosayizi ophelele. Ukuphothulwa nge-lacquer enokuthi matte enezinhlaka kudala indawo eyomile, engashibiliki. Isibambo sezintambo esinwetshiwe emsileni senza ukunyakaza kweminwe kube lula kwabaqalayo nakubadlali abanezandla ezincane.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Suwen Guqin iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Suwen Guqin ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Suwen Guqin iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Izilinganiso Nokupakisha: 1100mm*150mm*45mm
Amathegi: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Ubuchwepheshe Bokukhiqiza: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Inselele Yokudweba: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Ucwaningo: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Ugqozi: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Ubude Bephrojekthi: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Ukuhamba Kokusebenza: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Amalungu Eqembu: Ding Liang