The Japanese Forest Izithombe ngu-Masaru Eguchi

Umdwebo The Japanese Forest Izithombe ngu-Masaru Eguchi ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2020 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukuthwebula Izithombe.

IsilivaUkuthwebula Izithombe· 2020

The Japanese Forest Izithombe

ngu Masaru Eguchi

Iklayenti: Sunpono

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ukuthwebula Izithombe

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#95058

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-The Japanese Forest Izithombe

Ihlathi laseJapan lithathwe ngombono ongokwenkolo waseJapan. Enye yezinkolo zasendulo zaseJapan yiWanyama. I-animism yinkolelo yokuthi izidalwa ezingewona umuntu, impilo namanje (amaminerali, izakhi zobuciko, nokunye) nezinto ezingabonakali nazo zinenhloso. Ukuthatha izithombe kuyafana nalokhu. IMasaru Eguchi idubula okuthile okwenza izwakale esihlokweni. Izihlahla, utshani kanye namaminerali zizwa intando yempilo. Futhi izingcweti ezifana namadamu ashiye emvelweni isikhathi eside azizwa zithandwa. Njengoba nje ubona imvelo engakathintwa, ikusasa lizobona indawo yamanje.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

The Japanese Forest Izithombe iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. The Japanese Forest Izithombe ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. The Japanese Forest Izithombe iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Izilinganiso Nokupakisha: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Amathegi: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Ubuchwepheshe Bokukhiqiza: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Inselele Yokudweba: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Ucwaningo: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Ugqozi: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Ubude Bephrojekthi: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Ukuhamba Kokusebenza: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Amapathenti: Copyright: Masaru Eguchi
Amakhredithi Ezithombe: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.