The Birth of a Book Incwadi ngu-Urszula Giren

Umdwebo The Birth of a Book Incwadi ngu-Urszula Giren ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2020 Umklomelo Wegolide we-A' Design Award Esigabeni Somncintiswano se-Okushicilelwe.

IgolideOkushicilelwe· 2020

The Birth of a Book Incwadi

ngu Urszula Giren

Iklayenti: Urszula Gireń

Umnqobi we-Umklomelo Wegolide we-A' Design Award Esigabeni se-Okushicilelwe

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#97144

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-The Birth of a Book Incwadi

Ukuzalwa Kwencwadi kuwushicilelo oluphrintiwe olumayelana nokuklanywa kwezincwadi ePoland yekhulu le-16 leminyaka. Le ncwadi yethula imibhalo yakudala ephrintiwe ngosayizi wangempela, ukuze abafundi babone amafomethi asekuqaleni. Ijazi lencwadi likhombisa indlela yokuhlela amakhasi eyayisetshenziselwa ifomethi endala ye-octavo. Iribhoni yokumaka ikhasi imaka ubude bezincwadi ze-folio, quarto ne-octavo. Imifanekiso eqoshwe okhunini emakhasini esihloko iphrintiwe ngokuguqulwa kombala, okukhumbuza ama-matrices amboziwe ngoyinki omnyama. Ifomethi ingamamilimitha angu-256 ngo-320, inamakhasi angu-560 kanye nemifanekiso engaba ngu-1200. Inhloso ukuchazela abafundi abaningi izindlela zokuphrinta zesikhathi seRenaissance.

Ukuqashelwa

Mayelana ne-Umklomelo Wegolide we-A' Design Award

The Birth of a Book Incwadi iwinile uMklomelo Wegolide we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo yeklasi yokuqala, emangalisayo nephawulekile. Abawinile beGolide yimiklamo emisha kakhulu, enombono ongaphambili futhi egqamile ebonisa ubuhlakani, ukuhlakanipha nobuchule babaklami babo. The Birth of a Book Incwadi ilindeleke ukuba ibe yinto entsha edunyiswe kakhulu, ebeka isitayela futhi ebalulekile elethe inani elingakaze libonwe. Lo mklamo owinile uMklomelo Wegolide we-A' Design Award ungumgomo omangalisayo nohlonishwayo osiza kakhulu futhi osunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. The Birth of a Book Incwadi idala imizwa ejulile yesifiso, ivuse intshiseko, ikhuthaze ukudala futhi iyasiheha.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Izilinganiso Nokupakisha: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Amathegi: renaissance book, first roman typefaces, old prints, typography
Ubuchwepheshe Bokukhiqiza: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Inselele Yokudweba: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Ucwaningo: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Ugqozi: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Ubude Bephrojekthi: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Ukuhamba Kokusebenza: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Amakhredithi Ezithombe: Urszula Gireń / 2019