Surely Isikhala Sobuciko ngu-Michael Lam

Umdwebo Surely Isikhala Sobuciko ngu-Michael Lam ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2020 Umklomelo Wegolide we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ingaphakathi.

IgolideIngaphakathi· 2020

Surely Isikhala Sobuciko

ngu Michael Lam

Iklayenti: Surely

Umnqobi we-Umklomelo Wegolide we-A' Design Award Esigabeni se-Ingaphakathi

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#99584

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

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Ukuklama

Mayelana ne-Surely Isikhala Sobuciko

Lobu buciko, obujwayelekile kanye nokuthengisa konke kuhlangene endaweni eyodwa. Kusukela ukwakhiwa okuwumboni osebenza ezweni lokusetshenziswa kwendawo yokugqoka. Sonke isakhiwo sigcina ukuthungwa kodonga, njengokwakheka kwesikhala, kwakha umehluko ohlukile ngaphandle, kwakha nesipiliyoni sesikhala. Umhlobiso onzima we-Abandon, wasebenzisa umhlobiso othambile wesibonisi odale umuzwa wokuphumula. Umehluko phakathi kwesigaba sokuqala nesigaba sokuqala uvumelana nezimo ekuthuthukiseni indawo okukuyo ngokuzayo.

Ukuqashelwa

Mayelana ne-Umklomelo Wegolide we-A' Design Award

Surely Isikhala Sobuciko iwinile uMklomelo Wegolide we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo yeklasi yokuqala, emangalisayo nephawulekile. Abawinile beGolide yimiklamo emisha kakhulu, enombono ongaphambili futhi egqamile ebonisa ubuhlakani, ukuhlakanipha nobuchule babaklami babo. Surely Isikhala Sobuciko ilindeleke ukuba ibe yinto entsha edunyiswe kakhulu, ebeka isitayela futhi ebalulekile elethe inani elingakaze libonwe. Lo mklamo owinile uMklomelo Wegolide we-A' Design Award ungumgomo omangalisayo nohlonishwayo osiza kakhulu futhi osunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Surely Isikhala Sobuciko idala imizwa ejulile yesifiso, ivuse intshiseko, ikhuthaze ukudala futhi iyasiheha.

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Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: Designers are take time as the starting point of thinking. In the chaotic and decadent old factory, they skillfully use the sense of dislocation in time to create the gap between the inside and the outside, between the object and the space, to show the spatial context of living against the time, appearing along with the time, so as to provide a deeper and meaningful place experience for the viewers.
Izilinganiso Nokupakisha: Design area：10763 sq.ft
Amathegi: Interior, Space, Art, Retail, Photography
Ubuchwepheshe Bokukhiqiza: Main Material：Special Paint, Terrazzo, Original Solid Wood, Ultra-white Glass
Inselele Yokudweba: In the process, the designer and the owner experience the overthrow and replay of the design scheme, the reconstruction and disassembly of the wall, and the continuous replacement of the soft decoration display, which is not so much full of various imperfect factors, but rather a design co creation process in which both parties continuously influence each other.
Ucwaningo: Shortly after the project was put into operation, without marketing planning, it quickly became a hot topic in Hangzhou, China, and one of the most popular art punch points in the country. It is a space for photography and art, a new benchmark of the industry and a new fashion stronghold in the city.
Ugqozi: The whole building retains the mottled and contiguous texture of the wall, transforms into the uniform skin texture of the indoor space, and falls behind the outdoor environment, creating a sense of surprise for the viewer to invert the time, creating a unique space experience, secondly, abandoning too much hard decoration, releasing more relaxed space for high-quality soft display. And display, create the contrast with the base of the original space.
Ubude Bephrojekthi: The project started in Hangzhou, China in March 2018 and was completed in Hangzhou, China in 2019.
Ukuhamba Kokusebenza: According to time, weather and unpredictable natural light, the designer enters the room through the opening to form rich shadows and lines, so that the space can get rid of boredom and become active. After moving to the interior space of the main building, the walls are cleaned, showing a mottled and rough texture again, giving off a simple atmosphere, thick and stable. The exquisite art installation is in a corner, embracing the whole space in an introverted way.
Amakhredithi Ezithombe: All pictures:Da qi Zhang / Michael Lam (Designer)