Emi Kawasaki and Daisuke Kodama 嘅作品 Dimension in the Shadows 座枱月曆

由設計師 Emi Kawasaki and Daisuke Kodama 創作嘅 Dimension in the Shadows 座枱月曆係備受推崇嘅 2021 A' Design Award 白金獎得獎作品，獲獎類別為平面設計。

白金平面· 2021

Dimension in the Shadows 座枱月曆

由 Emi Kawasaki and Daisuke Kodama

客戶: Shilushi Inc.

平面類別嘅 A' Design Award 白金獎得獎者

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設計

關於 Dimension in the Shadows 座枱月曆

《影中之維度》係一款用激光切割黑色紙板製成嘅座枱月曆。整套包含十二張月份卡，每張都有唔同嘅設計。每張卡都插喺一個小木方塊嘅坑槽度。星期六、星期日同國定假期嘅日子係完全鏤空切穿，而平日就用半切方式處理。每個抽象圖案都令人聯想到日本四季變化嘅景致。對住光望，鋒利嘅輪廓睇落就好似一件紙雕塑。投射出嚟嘅影子會隨住光線移動而改變形狀，為日常生活增添一份靜謐嘅趣味。

榮譽認可

關於A' Design Award 白金獎

Dimension in the Shadows 座枱月曆是 A' Design Award 白金獎得主，這是授予真正卓越、優雅和宏偉設計的極具聲望的認可。白金獎得主是創造的奇蹟，是智力創造力極限的見證，展現出其設計師無與倫比的專業精神和天才。這些設計被期待成為定義一個時代的美學、造福社會、並拓展藝術、科學、設計和技術界限的最負盛名的作品。Dimension in the Shadows 座枱月曆展現出超凡脫俗的卓越水準，以其有益而寶貴的特質毫無疑問地讓世界變得更美好。Dimension in the Shadows 座枱月曆是一件贏得 A' Design Award 白金獎的作品，它喚起慾望，啟發人心，令人愉悅，並迸發出巨大的喜悅。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Black paperboard is carried out fine laser cut, come out 12 pieces of differently designed monthly calendar cards, mounted each one in a slit of wooden cube. Each figures may causes optical illusion as 3-dimensional. It is worthy for observation as a kind of sculpture, perceive a sharp outline attractively at back light. In every moment, the casted shadow forms different shape from the paper itself according to the light come in, add a little entertainment in everyday scene respectively.
尺寸同包裝: Package dimensions: W146mm x D146mm x H36mm
Calendar cards within 135mm square
Wood stand: 25mm cube. (Slit angle: 80 degrees, Depth: 20mm)
標籤: calendar, desk calendar, laser cut, light and shadow, dimension, black paper, 3D, silhouette, optical illusion, japan
生產技術: To know and consider the durability of paper and representability by laser cut process, experimental testing was repeated. Using 2 power level of laser, being cut out dates mean Saturday, Sunday and national holiday, other ones of half cutting mean weekdays. It was made fine adjustment to entire balancing with standing posture that depend on the relation between depth and angle of slit when each calendar is inserted in wood cube.
設計挑戰: At the first plan, we had aimed to carry out different effect on the card. It's a technique that scrape some parts extremely thinner by laser cut, so that light could be seen through. This was quite unique approach because it would be appear some places of light "come through" and "see
through" mixing on a same paper. But it was required superfine point laser irradiation repeatedly, it causes burnt paper and takes huge amount of time, accordingly, increasing in manufacturing cost. So we changed plan and design as use half cutting for dates number, redesigning by thin line for some parts, those were the realizable plan without load of production speed.
靈感: It is inspired by light and shadow in daily life, which is existing as a matter of course in every era, in every world and in every season. Each abstract object represents a scene and a moment in changing seasons in Japan. An appearance of black Silhouette combines subtlety and boldness, it casts constantly varying shadow like a sundial. Regardless of age or nationality, those abstract figure call forth variety of personal impressions, and inspire each one to expand individual imagination freely.
項目時長: Their originative calendars has been gifted to their clients and business partner on every beginning of the year since the company established 2015. It is not only the tool for expressing gratitude, but also for calling to mind the pure delight and enjoyment of design that has their potential for creativity.
操作流程: Monthly calendar cards are inserted in a slit of wooden cube. At the place receive sun shine or light that let it make shadow, they show and entertain us slow transforming of light and shadow. It is also as a part of the interior object, people will have enjoyment of replacing each calendar card month by month.
團隊成員: Art Director & Graphic Designer: Emi Kawasaki
Coordinator: Daisuke Kodama
Print & Processing manufacturer: Shinohara Printing
圖片來源: All image: Photographer Naohiro Isshiki