Malware 數位繪畫

由 Maheen Sana

客戶: Maheen Sana

美術類別嘅 A' Design Award 銅獎得獎者

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驗證設計 #110569 嘅獲獎狀態

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色彩

設計

關於 Malware 數位繪畫

惡意軟體完全使用 Photoshop 和繪圖板以數位方式製作，顯示了關係解除的結果。繪畫中的對比是基於自然界的二元性概念，即幸福與悲傷的對比。黑白的運用，混亂的前景和平靜的背景，剛柔相濟，營造出一種浪漫而又憂鬱的情緒，表達分手後的憂鬱。

榮譽認可

關於A' Design Award 銅獎

Malware 數位繪畫是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Malware 數位繪畫將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Malware 數位繪畫出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Everyone copes with heartbreak in their own way. The idea and execution give Malware its unique essence. There's duality in nature. You can't know happiness without sadness. Malware translates this concept with various contrasting features. The use of black and white, chaotic foreground and calm background, hardness and softness. All create a romantic, yet sombre atmosphere. There's just something very profound about creating beauty out of sorrow.
尺寸同包裝: This is a 1270 by 1066 mm digital painting. The entire painting was made using a brush tool in Adobe Photoshop. I used the Mechanical Pencil brush tool to achieve the rough graphite texture. To finish the painting off, I added the noise filter in photoshop to create a film grain texture.
標籤: Malware, Heart Break, Love, Renegade, Trojan Horse, Virus, Minecraft, Digital Painting, Binary, Binary Sea, Machine, Venice, Italy, Zeppelin, Dark Side of the Moon, Music
生產技術: I used Adobe Photoshop and a Wacom graphics tablet to create this digital painting. I initially intended for the drawing to be made against a white background. However, upon experimenting with different colors, I realized that my idea was portrayed better with darker tones. I used a Mechanical Pencil brush in Photoshop to achieve the rough graphite texture. In addition, I used the noise filter to create a film grain finish to the painting.
設計挑戰: Working on a detailed piece with a mechanical pencil is definitely challenging and occasionally, you'll find yourself on the verge of abandoning the piece altogether. Fortunately, with Malware I had this urgency of getting it out there in the world. The hardest part for me was painting something so exposing while living in a society that thrives on shaming people for showing emotional vulnerability.
研究: Due to the nature of this artwork, most of the material that I required was available to me from my personal experience. However, I still had to research a couple of things. Deciding the part of Venice I wanted to display, reading the story behind Daleks, Trojan Horse and the Roman betrayal. I chose the digital medium for this painting because I find it to be very efficient and flexible, which made it perfect for this spontaneous project.
靈感: Malware was born out of my first encounter with heartbreak. And while I realize that this encounter might not have a whole lot of significance in the grand scheme of things, I think it was valuable nonetheless because every painful experience teaches you something. I did not create this painting to come off as bitter. I felt like for the sake of my sanity, I had to take the heartache from that particular experience and transform it into a work of art which exhibits all the events of that time and you can take a look at all the relics with a melancholic familiarity.
項目時長: This project started on July 9th, 2019 from the comfort of my home and was finished and uploaded on January 26th, 2020.
操作流程: Oddly, our difficult times connect us with other human beings more deeply than anything else. I hope that Malware can evoke a sense of melancholic familiarity within the audience. Even if it is just an audience of one.