由設計師 Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching 創作嘅 Reborn 木花瓶 係備受推崇嘅 2023 A' Design Award 鐵獎 得獎作品,獲獎類別為 美術設計。
鐵美術· 2023
Reborn 木花瓶
由 Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching
客戶: Tainan University of Technology/Product Design Deparment
美術 類別嘅 A' Design Award 鐵獎 得獎者
經驗證嘅獲獎者
驗證設計 #150604 嘅獲獎狀態設計
關於 Reborn 木花瓶
透過在有機球形木材表面上使用金屬鑲嵌技術,為家具業廢棄和剩餘的木材創造價值。受到生長種子的生命形式的啟發,黃銅絲嵌入木紋上,並延伸出根部的形狀,支撐著木花瓶。該圖案具有實用用途,因為木材邊角料被製成用於種植的容器,類似於發芽的種子,象徵生命的循環。流動的金屬根部造型給人一種生氣勃勃的感覺,猶如一個會動的有機體。
榮譽認可
關於A' Design Award 鐵獎
Reborn 木花瓶是 A' Design Award 鐵獎得主,這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計Reborn 木花瓶將成為一件備受推崇、令人欽佩且被珍愛的創作,既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐,並擁有與專業知識和才華相結合的稱職技術特性。Reborn 木花瓶因其嚴謹而受到尊重,旨在提供有助於讓世界變得更美好的生活品質改善。
設計背後
新聞資料包
由設計師提供嘅製作人員名單、團隊成員同技術詳情。
- 獨特屬性
- The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
- 尺寸同包裝
- Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm. - 標籤
- Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
- 生產技術
- Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation. - 設計挑戰
- To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
- 研究
- Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools. - 靈感
- We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
- 項目時長
- The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
- 操作流程
- The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
- 團隊成員
- Instructor: ChungSheng Chen
Designer:ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept - 圖片來源
- Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng
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