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Ariel Sliwinski 嘅作品 Move 椅子

由設計師 Ariel Sliwinski 創作嘅 Move 椅子 係備受推崇嘅 2024 A' Design Award 銅獎 得獎作品,獲獎類別為 傢俱設計。


銅傢俱· 2024

Move 椅子

由 Ariel Sliwinski

客戶: Ariel Śliwiński Studio

傢俱 類別嘅 A' Design Award 銅獎 得獎者

13,587

色彩

設計

關於 Move 椅子

Move係一張為適應個人體形同人體工學需要而設計嘅椅子。座位可以好似搖籃咁改變傾斜角度,靠背就懸掛喺兩個匯聚點上,所以靠背可以旋轉同傾斜。座位入面內置咗一個壓力感應器,會透過震動提醒使用者喺一段設定時間之後起身。結構部分採用全回收物料鑄造嘅鋁製成,座位、靠背同扶手就用五軸銑削加工嘅軟木製造。Move可以由使用者自行組裝,並以平板包裝運送,藉此減少碳足跡。

榮譽認可

關於A' Design Award 銅獎

Move 椅子是 A' Design Award 銅獎得主,這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品,印證了其設計師豐富的經驗、想像力與機智。預計Move 椅子將成為一件備受推崇、令人欽佩且被珍愛的物品,兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐,並因注重細節而出類拔萃。Move 椅子出色地滿足需求,觸動渴望,迷住情感,並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性
The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
尺寸同包裝
550mm x 515mm x 740mm
標籤
ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
生產技術
The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
設計挑戰
In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
研究
During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
靈感
The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
項目時長
the project started in April 2023 in Poland
操作流程
This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.

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