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Mykola Lomakin 嘅作品 Prince John 書插圖

由設計師 Mykola Lomakin 創作嘅 Prince John 書插圖 係備受推崇嘅 2020 A' Design Award 鐵獎 得獎作品,獲獎類別為 美術設計。


鐵美術· 2020

Prince John 書插圖

由 Mykola Lomakin

客戶: Mykola Lomakin

美術 類別嘅 A' Design Award 鐵獎 得獎者

17,785

色彩

設計

關於 Prince John 書插圖

此插圖摘自沃爾特·斯科特爵士的艾芬豪小說第七章。通過創建此插圖,設計師試圖向讀者傳達盡可能多的中世紀英格蘭氛圍。根據收集的有關歷史時期的材料精心繪製細節,增加了視覺表現力,並應吸引廣泛的未來書讀者。其他插圖的開頭和片段如下所示。

榮譽認可

關於A' Design Award 鐵獎

Prince John 書插圖是 A' Design Award 鐵獎得主,這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計Prince John 書插圖將成為一件備受推崇、令人欽佩且被珍愛的創作,既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐,並擁有與專業知識和才華相結合的稱職技術特性。Prince John 書插圖因其嚴謹而受到尊重,旨在提供有助於讓世界變得更美好的生活品質改善。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性
The designer made an illustration so that it looks as if from an old book. Searching for a composition he came to the decision to divide the image into three parts. The central part unfolds the plot. The top and bottom parts are filled with the details that are connected with the central part narratively and psychologically. They complete and make the composition more expressive. The illustration is made with paints on a paper with the final touch on the graphic tablet.
尺寸同包裝
Paper, acryl, watercolors, oil paints 225x330 mm, graphic tablet.
標籤
Ivanhoe, Walter Scott, illustration, characters, Middle Ages, Renaissance painting, historical
生產技術
Before drawing, Mykola toned the paper with strong tea. This process took place in such a way that an uneven coating resembling a marble texture turned out. In the finished work, this is almost imperceptible, but this method of tinting helped the designer to form some areas of the image and to imitate the chipped paint. The designer applied color in some areas with watercolors, and in some areas with oil using a glaze metad. The texture of the stone is made with acrylic applied to limited areas of the image with a paralon roller. On this texture, the details of the stone blocks were also made in the glazing technique.
設計挑戰
The work objective is to convey the atmosphere of the book full of dramatic events: love and hatred, friendship and hostility, dignity and dishonor. The secondary task is to achieve the historical accuracy of the characters and items portrayed. When working on the project, the main difficulties lay in the collection of the historical material and search for the personalities of the novel characters.
研究
Prince John stands against the wall where the flag of his royal house of the Plantagenets hangs. The wall has two exits. This detail hints the viewer that when people run out of patience and rebel, Prince John and his followers will escape through them. There are soldiers in the foreground, who keep a close eye on a viewer. Coin purses are depicted on the top of the illustration, these are for rich. Kitchen slops are depicted at the bottom of the illustration, these are for poor.
靈感
The Scottish writer Sir Walter Scott, who is the founder of the historical novel genre, wrote the novel Ivanhoe in 1819. The main essence of this novel is to live by the laws of honor, fidelity, justice and love. The relevance of these eternal human principles inspired the designer to begin work on the project. While working on the illustration, the sources of inspiration are Bayeux Tapestry, miniatures of medieval manuscripts, paintings of Hans Holbein, Albrecht Durer, Rembrandt Harmenszoon van Rijn.
項目時長
This illustration is a part of the art project and was completed in 6 weeks between April and June 2018. According to the author plan, the project consists of 21 illustrations on the full page, including 3 double page spreads. In addition to the illustrations, the text of the book is going to be complemented with initials and small decorative elements in the same style as the illustrations. The project is a personal initiative of the designer. Mykola works on the project in Kharkiv, Ukraine.
操作流程
A detailed draughtsmanship should intensify visual expressiveness and attract a wide array of readers of the future book. People would like to see a beautiful, high quality book on their bookshelves. It is a delight to take such a book, thumb it and have a look at the illustrations, read. Such warmth and closeness to the writer and illustrator cannot be conveyed by an electronic book. As well as movies and television had not displaced theatre, electronic books did not displace printed books.

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