由設計師 Vivian Lu 創作嘅 Absinthe 舞台設計 係備受推崇嘅 2020 A' Design Award 銀獎 得獎作品,獲獎類別為 表演藝術設計。
銀表演藝術· 2020
Absinthe 舞台設計
客戶: Vivian Lu Design Studio Limited
表演藝術 類別嘅 A' Design Award 銀獎 得獎者
經驗證嘅獲獎者
驗證設計 #98919 嘅獲獎狀態設計
關於 Absinthe 舞台設計
《Absinthe》係一個為咗一齣關於物理、物質同心理學嘅舞台劇而創作嘅舞台設計。整個佈景圍繞住一個橢圓形舞台建構,象徵時間,亦可以睇成一個星系或者一個連綿不斷嘅循環。深色反光板上面覆蓋住潑濺嘅顏料,營造出一個浩瀚而神秘嘅宇宙。一個度身訂造嘅鐳射燈光聲音視覺化裝置令聲音變得可見,因為鐳射光束會被演員嘅聲音頻率所扭曲。舞台嘅每一個角度都經過測試,好讓表演者可以安全咁行走、奔跑同跳躍。
榮譽認可
關於A' Design Award 銀獎
Absinthe 舞台設計是 A' Design Award 銀獎得主,這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品,展現出其設計師傑出的專業技能、才華與敏銳。預計Absinthe 舞台設計將成為一件出色的典範之作,兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明,造福並拓展藝術、科學、設計和技術的界限。Absinthe 舞台設計是一件令人羨慕的創作,它喚起渴望,帶來積極的情感,並激發驚嘆與讚嘆。
設計背後
新聞資料包
由設計師提供嘅製作人員名單、團隊成員同技術詳情。
- 獨特屬性
- Vivian introduced the technology of laser light sound visualiser to magnify senses in the whole theatrical experiences, and allowed sound to be seen. She custom-made different laser light gadgets and experiments with different materials to find the best one to be used on stage. Every angle of the middle circular stage was carefully designed and the inclusion of technology brought a whole new blend of artistic richness in theatre. The beauty of the design is the limitless interpretation of the set according to their understanding of the play. The oval stage represents time, but can be seen as the milky way, Möbius band etc.
- 尺寸同包裝
- Vivian experimented with different forms of custom-made sound laser visualiser to best utilise actors on stage
- 標籤
- Scenography, Stage Design, merging physics and set design
- 生產技術
- The project required a lot of research and experimentation, especially experimenting with the laser light sound visualizer, making sure the visuals created from different sound frequencies went hand in hand with the general set design. A lot of prior research also had to be done on the subject matter or physics, black holes and relativity, to create a stage that portrayed elements of these subjects, to allow audiences to quickly connect and be immersed into the show as it was a play that discussed quite complex subjects. For the staging and material we chose dark reflective panels to create the effect of this vast yet mysterious universe, also covering it with splattered paint to symbolise the milky galaxy. This and stage received great feedback, and special mentions on review platforms highlighted and praised the stage design and effects, and how it truly immersed people into the story.
- 設計挑戰
- On the initial design part, there are a lot of discussions on how to tactic a complex play, where many deep subjects were discussed and visually portray it all in a manner that guided the audience into the topics and be immersed into the world. Technically during production the curvature of the oval shape had to be very exact, as we wanted to visually make it look really smooth when we detach it to different shapes. The kinds of wheels were also a very big technical challenge as the different points of attaching the wheels made a huge difference on the stage's mobility.
- 研究
- Every angle of the main stage was experimented with consideration of the feasibility on how actor’s move on set. We experimented with different inclination of the set and prior to the performance, we trained actors to walk, run and jump at different angles we have on the circular stage to avoid stage accidents. The whole stage was built with extensive technological difficulties and precision because we had to find the balance of designing it to achieve desired artistic visual but also take intensive examination that structurally it is strong enough withstand immense weight.
- 靈感
- Absinthe was a project that has given Vivian a chance to explore potential visuals merging physics and scenography. It was a play that explored topics on physics, matter and psychology. She wanted to experiment with different ways to unearth a new power to enhance audiences sense in the whole theatrical experiences. Vivian wanted to find new ways to capture audience’s imagination and to see how to create different relationship with time.
- 項目時長
- The show was first showcased in Beijing in 2019 then toured around in Shenzhen and Shanghai in 2020.
- 操作流程
- Through the sound vibrations spoken from the actors, laser lights were distorted based on the frequency of spoken sound. The visuals that came out from the actors and actress voice varies drastically due to the pitch of their specific voice.. The actors rehearsed for months with the devices to create a specific imagery to go with the set design.
- 團隊成員
- Stage Designer : Vivian Lu
Director : Johnny Tam
贊助
探索 Designers.org 以外嘅世界
探索我哋廣告合作夥伴提供嘅產品、服務同機會。
探索更多
相關設計
探索更多同一類別中按優秀程度揀選嘅得獎設計。