Shany Abdallah Naji Grafiese Kunsreeks deur Shany Dvora

Die ontwerp Shany Abdallah Naji Grafiese Kunsreeks deur Shany Dvora is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2021 A' Design Award in Silwer in die Grafika-, Illustrasie- en Visuele Kommunikasie-ontwerp-kompetisiekategorie.

SilwerGrafika· 2021

Shany Abdallah Naji Grafiese Kunsreeks

deur Shany Dvora

Wenner van die A' Design Award in Silwer in die Grafika-kategorie

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Die Ontwerp

Oor Shany Abdallah Naji Grafiese Kunsreeks

Shany Abdallah Naji is 'n reeks grafiese werke wat 'n familie-naamgewingstradisie laat herleef. Die tradisie, wat geëindig het toe die familie van Irak na Israel verhuis het, het aan 'n pasgeborene 'n voornaam gegee, gevolg deur die name van die vader en die grootvader. Die reeks is geskep nadat ou familie-immigrasiedokumente gevind is. Vyf gemengdemedia-werke, vier wat 50 by 70 sentimeter meet en een wat 75 by 70 sentimeter meet, verweef beeldmateriaal in Hebreeuse kalligrafie wat geïnspireer is deur Hebreeuse manuskripte uit Irak, Jemen en Marokko wat tussen die 12de en 15de eeue gemaak is.

Die Erkenning

Oor die A' Design Award in Silwer

Shany Abdallah Naji Grafiese Kunsreeks is 'n wenner van die A' Design Award in Silwer, 'n buitengewoon prestigieuse erkenning wat toegeken word aan topklas-, pragtige en indrukwekkende ontwerpe. Wenners in Silwer is geweldig briljante en uiters kreatiewe werke wat die uitstaande kundigheid, talent en skerpsinnigheid van hul ontwerpers illustreer. Daar word verwag dat Shany Abdallah Naji Grafiese Kunsreeks 'n wonderlike vertoonstuk is wat merkwaardig professioneel en diepgaande innoverend is. Hierdie ontwerp wat die A' Design Award in Silwer gewen het, is 'n hoogs noemenswaardige, bewonderde uitvinding wat die grense van kuns, wetenskap, ontwerp en tegnologie bevoordeel en uitbrei. Shany Abdallah Naji Grafiese Kunsreeks is 'n wyd beny skepping wat begeertes oproep, positiewe gevoelens bring en verbasing en verwondering wek.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Afmetings & Verpakking: 4 works 50*70 cm
1 work 75*70 cm
Etikette: Calligraphy, Typography, Hebrew, Eastern
Produksietegnologie: Mixed Media
Ontwerpuitdaging: -
Navorsing: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Inspirasie: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Projekduur: 2018-2019, Israel
Bedryfsvloei: -
Patente: -
Spanlede: -
Beeldkrediete: Shany Dvora