Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት በ Atsushi Kawaguchi

Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት በ Atsushi Kawaguchi የተሠራ ሲሆን በ የውስጥ ማስዋብ ዲዛይን የውድድር ምድብ ውስጥ እጅግ ከፍ ያለ ክብር ያለው የ 2026 A' Design Award የነሐስ ሽልማት አሸናፊ ነው።

ነሐስውስጥ ማስዋብ· 2026

Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት

በ Atsushi Kawaguchi

ደንበኛ: Ishidaya

በ ውስጥ ማስዋብ ምድብ ውስጥ የ A' Design Award የነሐስ ሽልማት አሸናፊ

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ለ #180958 የሽልማት ሁኔታ ያረጋግጡ

ድረ-ገጽ ጎብኝ በ A' Design Award ይመልከቱ ጋዜጣዊ መግለጫ የሽልማት ባጅ

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ስለ Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት

የመጽሐፍ ጽሑፍ፦ ኢሺዳያ በሃኖይ ማዕከላዊ አውራጃ ውስጥ የሚገኝ የጃፓን ምግብ ቤት ነው። ፕሮጀክቱ የጃፓንና የምዕራባውያን ባህሎች የተገናኙበትን ዘመን የሚወክለውን ታይሾ ሮማን እንደ ማዕቀፉ በመጠቀም፣ በጃፓናዊ ውበትና በሕንፃው ምዕራባዊ ባህርይ መካከል ያስታርቃል። ከካውንተሩ በላይ ያለ የእንጨት ማዕቀፍ ባህላዊ ግንባታን ከአርት ዴኮ ጂኦሜትሪ ጋር በማጣመር እንደ ቁልፍ የእይታ አካል ሆኖ ያገለግላል። ከጌጣጌጥ ይልቅ፣ በብርሃንና በተለዋዋጭ የእይታ አቅጣጫዎች አማካኝነት ግንዛቤን ይቀርፃል። ውጤቱም የባህል ማጣቀሻዎችን የሚደራርብ እና በሃኖይ ስላለው ዘመናዊ የምግብ አገልግሎት ግልጽ ትርጓሜ የሚያቀርብ ገዳቢ ቦታ ነው።

እውቅናው

ስለ A' Design Award የነሐስ ሽልማት

Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት የA' Design Award የነሐስ ሽልማት አሸናፊ ነው፤ ይህም በፈጠራ፣ በብልሃት እና በአስተዋይነት ለሚታወቁ ድንቅ ዲዛይኖች የሚሰጥ እጅግ ከፍተኛ ክብር ያለው እውቅና ነው። የነሐስ አሸናፊዎች የዲዛይነሮቻቸውን ሰፊ ልምድ፣ ምናብ እና ብልሃት የሚያረጋግጡ እጅግ ችሎታ የተሞላባቸው እና በሚያስደንቅ ሁኔታ ፈጠራ ያላቸው ሥራዎች ናቸው። Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት ከፍ ያለ ግምት የሚሰጠው፣ የሚደነቅና የሚወደድ፣ እጅግ ሙያዊና ፈጠራ የተሞላበት ነገር እንደሚሆን ይጠበቃል። ይህ የA' Design Award የነሐስ ሽልማትን ያሸነፈ ዲዛይን በኪነ ጥበብ፣ በሳይንስ፣ በዲዛይን እና በቴክኖሎጂ ምርጥ ልምዶችን ያካትታል፤ ለዝርዝርም በሚሰጠው ትኩረት ምርጥ ነው። Ishidaya ዋና ተግባር፦ የጃፓን ምግብ ቤት ፍላጎቶችን በግሩም ሁኔታ ያረካል፣ ምኞቶችን ይነካል፣ ስሜቶችን ይማርካል እንዲሁም የማወቅ ጉጉትን ይስባል።

ከንድፉ በስተጀርባ

የፕሬስ ኪት

ክሬዲቶች፣ የቡድን አባላት እና ቴክኒካል ዝርዝሮች በዲዛይነሩ የተሰጡ።

ልዩ ባህሪያት: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
ልኬቶች እና ማሸጊያ: Renovation of existing buildings
መለያዎች: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
የማምረቻ ቴክኖሎጂ: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
የዲዛይን ተግዳሮት: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
ምርምር: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
መነሳሻ: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
የፕሮጀክት ጊዜ: The project started in August 2024 in Hanoi and finished in April 2025.
የሥራ ሂደት: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
የምስል ምስጋና: All photos / HIROYUKI OKI