Kaidi Mao diseinatzailearen Qin Kartel Sorta lana 2021 Brontzezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Grafismo, Ilustrazio eta Ikus Komunikazio Diseinua Lehiaketa Kategorian.
BrontzeGrafismoa· 2021
Qin Kartel Sorta
diseinatzailea: Kaidi Mao
Bezeroa: Kaidi Mao
Brontzezko Saria A' Design Award Irabazlea Grafismoa Kategorian
Egiaztatutako Sari Irabazlea
#124488 Sariaren Egoera EgiaztatuDiseinua
Qin Kartel Sorta Diseinuari Buruz
Qin, txinatar paisaia-margolaritzaren tradizioa euskarri digitalaren bidez berrinterpretatzen duen kartel-sorta bat da. Qin izena "iragazi" edo "barneratu" esan nahi duen txinatar hitz batetik dator, eta idatzizko karaktereak ura eta bihotza adierazten dituzten ikurrak batzen ditu. Irudiek argazki gisa hasten dute bidea, eta ondoren tresna digitalen bidez garatzen dira, hala nola Photoshop, Cinema 4D eta Procreate. Sorta bi tamainatan ekoizten da, eta paperean zein pantailan erakuts daiteke, galeria batean edo etxe batean. Asmoa da naturaren ikuspegi taoista nazioarteko publiko baten aurrean adieraztea.
Aintzatespena
Brontzezko Saria A' Design Award Sariari Buruz
Qin Kartel Sorta Brontzezko Saria A' Design Award irabazlea da, sormenak, asmamenak eta zorroztasunak bereizten dituzten diseinu bikainei ematen zaien aitorpen oso prestijiotsua. Brontze-mailako irabazleak trebetasunez beteriko eta nabarmenki sortzaileak diren artefaktuak dira, beren diseinatzaileen esperientzia zabala, irudimena eta ekimena egiaztatzen dutenak. Qin Kartel Sorta oso estimatua, miretsia eta maitea den objektua izatea espero da, nabarmenki profesionala eta berritzailea dena. Brontzezko Saria A' Design Award irabazi duen diseinu honek artearen, zientziaren, diseinuaren eta teknologiaren praktika onenak biltzen ditu eta xehetasunei ematen dien arretagatik bikaina da. Qin Kartel Sorta beharrak bikain asetzen dituen, desirak ukitzen dituen, sentimenduak xarmatzen dituen eta jakin-mina erakartzen duen lana da.
Diseinuaren Atzean
Prentsa-kita
Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.
- Propietate Bereziak
- Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
- Neurriak eta Ontziratzea
- There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
- Etiketak
- Art, poster, Taoism, culture, landscape, painting
- Produkzio Teknologia
- The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
- Diseinu Erronka
- The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
- Ikerketa
- This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
- Inspirazioa
- As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
- Proiektuaren Iraupena
- The project started in September 2019, finished in May 2020 in Los Angeles.
- Eragiketa Fluxua
- These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.
Babestua
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