Beauty of Yinyang Residinsjeel Ynterieurûntwerp troch PiiN Interior Design

Beauty of Yinyang Residinsjeel Ynterieurûntwerp troch PiiN Interior Design is in heech wurdearre winner fan de tige prestizjeuze 2020 A' Design Award yn Brûns yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.

BrûnsYnterieur· 2020

Beauty of Yinyang Residinsjeel Ynterieurûntwerp

troch PiiN Interior Design

Klant: Shan Cun Fu Hong Interior Design

A' Design Award yn Brûns Winner yn de kategory Ynterieur

11,425

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #88734

Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Beauty of Yinyang Residinsjeel Ynterieurûntwerp

Beauty of Yinyang is in residinsjeel ynterieurûntwerp fan 300 fjouwerkante meter yn Taichung, Taiwan. It ûntwerp past de balansearre symmetry fan Yinyang, in prinsipe út de tradisjonele Sineeske gedachte, ta op in modern hûs. Symmetryske yndielingen en lineêre eleminten skeppe in gefoel fan oarder en rêst. In sirkel jout foarm oan de itenskeamer, ferwizend nei familygearkomsten om in dielde miel hinne. De materialen omfetsje echt hout, marmer, goudfoly en âldfrinske glês-finsterkeunst. In grutte wetterynkskilderij op papier is befestige oan ien muorre.

De Erkenning

Oer de A' Design Award yn Brûns

Beauty of Yinyang Residinsjeel Ynterieurûntwerp is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan Beauty of Yinyang Residinsjeel Ynterieurûntwerp wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. Beauty of Yinyang Residinsjeel Ynterieurûntwerp foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
Ofmjittingen & Ferpakking: The interior design area is 300 square meters.
Labels: New Chinese Styling, Symmetry, Circle, Oriental, Line
Produksjetechnology: Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
Untwerpútdaging: With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
Undersyk: As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
Ynspiraasje: In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
Projektdoer: The project finished in February, 2018 in Taichung, Taiwan.
Operaasjestreamferrin: Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
Teamleden: Chih Hsiu Sung
Joy Chou
Ofbyldingskrediten: Photographer LIN YU HUAN, SW8 Studio, 2019.