Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2021 Duais Cré-umha A' Design Award sa Chatagóir Comórtais Dearadh Grafach é an dearadh Qin Sraith Póstaer le Kaidi Mao.

Cré-umhaGrafaic· 2021

Qin Sraith Póstaer

le Kaidi Mao

Cliant: Kaidi Mao

Buaiteoir an ghradaim Duais Cré-umha A' Design Award sa Chatagóir Grafaic

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Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #124488

Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Qin Sraith Póstaer

Is sraith póstaer é Qin a athléiríonn traidisiún na péintéireachta tírdhreacha Síneach trí mheáin dhigiteacha. Tagann an t-ainm Qin ó fhocal Síneach a chiallaíonn dul tríd nó síothlú isteach, agus is éard atá sa charachtar scríofa ná comhcheangal de na comharthaí don uisce agus don chroí. Tosaíonn na híomhánna mar ghrianghraif agus forbraítear iad ansin le huirlisí digiteacha ar nós Photoshop, Cinema 4D agus Procreate. Táirgtear an tsraith i dhá mhéid agus is féidir í a thaispeáint i gcló nó ar scáileán, i ngailearaí nó sa bhaile. Is é an aidhm atá leis ná dearcadh Taoíoch an dúlra a chur in iúl do lucht féachana idirnáisiúnta.

An Aitheantas

Maidir leis an Duais Cré-umha A' Design Award

Bhuaigh an dearadh Qin Sraith Póstaer Duais Cré-umha A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí sármhaithe a mbíonn cruthaitheacht, aireagacht agus géarchúis mar shaintréithe acu. Is déantúsáin ghlic agus chruthaitheacha go suntasach iad buaiteoirí Cré-umha a dhearbhaíonn taithí fhairsing, samhlaíocht agus acmhainneacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Qin Sraith Póstaer ina rud a bhfuil an-mheas air, a n-ardaítear agus a ghráitear, atá thar a bheith gairmiúil agus nuálach. Ionchorpraíonn an dearadh seo a bhuaigh Duais Cré-umha A' Design Award na cleachtais is fearr san ealaín, san eolaíocht, sa dearadh agus sa teicneolaíocht, agus tá sé sármhaith as a aird ar mhionsonraí. Sásaíonn an dearadh Qin Sraith Póstaer riachtanais go hálainn, bainíonn sé le mianta, cuireann sé draíocht ar mhothúcháin agus tarraingíonn sé fiosracht.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Toisí & Pacáistiú: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Clibeanna: Art, poster, Taoism, culture, landscape, painting
Teicneolaíocht Táirgthe: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Dúshlán Deartha: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Taighde: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspioráid: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Fad an Tionscadail: The project started in September 2019, finished in May 2020 in Los Angeles.
Sreabhadh Oibríochta: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.