Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2020 Duais Airgid A' Design Award sa Chatagóir Comórtais Dearadh Grafach é an dearadh Ten Póstaeir le Kalyani Kamat Bambolkar and Ling Lee.
AirgeadGrafaic· 2020
Ten Póstaeir
le Kalyani Kamat Bambolkar and Ling Lee
Cliant: Kingston University, Kingston School of Art
Buaiteoir an ghradaim Duais Airgid A' Design Award sa Chatagóir Grafaic
Buaiteoir Gradaim Fíoraithe
Fíoraigh Stádas Gradaim do #88519An Dearadh
Maidir le Ten Póstaeir
Is feachtas é an dearadh le haghaidh imeacht seó faisin Ollscoil Kingston. Déantar an ghrianghrafadóireacht don fheachtas seo trí 'X' marcanna ar cholainn samhail a léiríonn siombalachas na n-éadaí ar chorp duine. & # 039;X' léiríonn sé freisin comóradh deich mbliana na scoile faisin Ollscoil Kingston. Seoladh e-vite chuig na haíonna ar fad agus cuireadh póstaeir agus bróisiúir ar taispeáint i Músaem Dearaidh Londain.
An Aitheantas
Maidir leis an Duais Airgid A' Design Award
Bhuaigh an dearadh Ten Póstaeir Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh Ten Póstaeir ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh Ten Póstaeir a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.
Taobh Thiar den Dearadh
Pacáiste Preasa
Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.
- Airíonna Uathúla
- Kingston University completed 10 years of its MA fashion course, so they decided to showcase their student's finest works at The Design Museum, London. The brief was to design posters without showing the actual student’s work and typical fashion elements. The posters were designed by showing marks of clothes on one’s body in the shape of ‘X. These posters were displayed all around the event and further used in other design elements, such as E-invites, brochures, stage slideshow etc.
- Toisí & Pacáistiú
- Brochures were printed out in 297 x 420 mm and folded into half.
Posters were printed out in 841 x 1189mm. - Clibeanna
- poster, design, fashion, visual communication, fashion show, art, brochure, E-invite
- Teicneolaíocht Táirgthe
- The posters were a culmination of both photography and graphic design. After the photoshoot, the raw images were enhanced in Adobe Photoshop and designed filling in the details about the event date, time and venue.
The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated. - Dúshlán Deartha
- The marks were created with the help of ribbons, clothes and rope. But, the marks were quickly fading away and not visible in the shots. The struggle was to make the shots quick and clear.
- Taighde
- A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The brief was to design posters without showing the actual student’s work and typical fashion elements. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. Initial concepts consisted of graphics created around ‘X’. However, this was not approved by the fashion department’s leadership, as according to them, the graphical posters did not reflect fashion. Interestingly they did like the concept of using ‘X’ as a part of branding. After having experimented with few concepts, a thought came about representing fashion as people instead of clothes. To accomplish this, an idea of showing marks left on one's body in the form of ‘X' by these designer clothes was finalised. A photo shoot was done and marks were created with the help of ribbons, clothes and rope. The photos were then integrated into posters, brochures and E-invites.
- Inspioráid
- A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. The brief was to design posters without showing the actual student’s work and typical fashion elements. This led to an idea of showing marks left by these designer clothes on one’s body in the shape of ‘X’ to symbolize this event.
- Fad an Tionscadail
- The project started at the end of September 2017 and finished in October 2017 in London, UK.
- Sreabhadh Oibríochta
- The posters were designed for the audience to get excited about the fashion show. As the images on the posters did not reveal the work of the students in any way, it created curiosity about the event.
- Paitinní
- The posters and images are owned by Kingston University.
- Baill Foirne
- Designer: Kalyani Kamat Bambolkar
Designer: Ling Lee - Creidiúintí Íomhá
- All Photo credits: Kalyani Kamat Bambolkar
Urraithe
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