Woman Flower Bailiú Cosmaidí le Kang Jiang

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2020 Duais Airgid A' Design Award sa Chatagóir Comórtais Dearadh Pacáistíochta é an dearadh Woman Flower Bailiú Cosmaidí le Kang Jiang.

AirgeadPacáistíocht· 2020

Woman Flower Bailiú Cosmaidí

le Kang Jiang

Cliant: Lchear

Buaiteoir an ghradaim Duais Airgid A' Design Award sa Chatagóir Pacáistíocht

35,015

Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #97132

Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Woman Flower Bailiú Cosmaidí

Tá an bailiúchán seo spreagtha ag stíleanna éadaí áibhéalacha na mban meánaoiseach Eorpach agus cruthanna amharc na n-éan. Bhain an dearthóir foirmeacha na beirte as agus d’úsáid sé iad mar fhréamhshamhlacha cruthaitheacha agus in éineacht le dearadh táirge chun cruth uathúil agus ciall faisin a fhoirmiú, ag taispeáint foirm shaibhir dhinimiciúil.

An Aitheantas

Maidir leis an Duais Airgid A' Design Award

Bhuaigh an dearadh Woman Flower Bailiú Cosmaidí Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh Woman Flower Bailiú Cosmaidí ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh Woman Flower Bailiú Cosmaidí a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: This is an exterior design. The designer integrated the delicate petal shape into the shape of the product to distinguish it from similar products. It has a unique visual and tactile recognition memory, and the dynamic form has rich fashion and beauty. Functionally, the petal-like shape is more ergonomic, and it is easier to hold and easier to use.
Toisí & Pacáistiú: Lipstick 21mm * 21mm * 8.7mm Mascara 18mm * 18mm * 135mm BB cream 21mm * 82mm * 21mm
Clibeanna: Lipstick, mascara, BB cream
Teicneolaíocht Táirgthe: Metal mold Injection Spray coating
Dúshlán Deartha: Shape design and aesthetics
Taighde: Research Type: Product Styling Design Research Objective: To design a styling design that has aesthetic appeal and is different from similar products. Method: Collection of creative inspirations, sketches, drawing sketches in-depth in the design process, trying to make the shape more ergonomic, easier to hold and carry. Discuss the feasibility with the engineer during the proofing process. After everyone's cooperation and efforts, we finally reached our expected goal.
Inspioráid: The idea of this set of works comes from the exaggerated clothing style of medieval European ladies and the petal shape of bird's eye view. The designer optimized these two shapes and used them as creative prototypes. Combined with the basic shape of the pipe, it has a stylish feel and presents a rich and dynamic beauty.
Fad an Tionscadail: The project started in Guangzhou in September 2018 and was completed in Guangzhou in April 2019.
Sreabhadh Oibríochta: The petal-shaped product distinguishes it from similar products in the form, and has a unique identification and memory on the visual and tactile, while the dynamic shape has a rich sense of fashion and beauty. Functionally, the petal-like shape is more in line with ergonomics, and it can be better held and easier to open in use.
Creidiúintí Íomhá: Image # 1: Photographer Kang Jiang, 2018 Optional Image # 1, Optional Image # 2, Optional Image # 3, Optional Image # 4, Optional Image # 4: Photographer Kang Jiang, 2018