For Georges Rousse Corn-duaise le Hasong Lee

Tha For Georges Rousse Corn-duaise le Hasong Lee na bhuannaiche air leth urramach anns an fharpais chliùitich 2020 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Dhuaisean, Dhuaisean agus Cho-fharpaisean.

AirgeadDuais· 2020

For Georges Rousse Corn-duaise

le Hasong Lee

Neach-ceannach: Hasong Lee

Buannaiche Duais Airgid A' Design Award ann an Roinn Duais

85,670

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #104814

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn For Georges Rousse Corn-duaise

Is e corn-duaise a th' ann am For Georges Rousse a chaidh a chruthachadh mar ùmhlachd do dhealbhadair Frangach. 'S e deilbheadh trì-thaobhach a th' anns a' chorn-duaise stèidhichte air anamorphosis, buaidh optaigeach far a bheil cruth a' coimhead air a shaobhadh bhon mhòr-chuid de dh'oiseanan. Air fhaicinn bho aon phuing shònraichte, tha na plèanaichean fillte a' co-thaobhadh agus a' sealltainn cearcall còmhnard le fosglaidhean dathte. Chaidh an cruth a mhodaladh le prògram coimpiutair trì-thaobhach. Chaidh truinnsearan de chupra-nicil agus airgead a ghearradh, fhilleadh agus a sholdaireadh, an uair sin an dathadh le teas gus iomsgaradh a chruthachadh eadar dubh is geal. Tha an corn-duaise a' tomhas 115 le 137 le 154 mìlemeatairean.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha For Georges Rousse Corn-duaise air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi For Georges Rousse Corn-duaise na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha For Georges Rousse Corn-duaise na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Tomhasan & Pacadh: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Tagaichean: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Teicneòlas Cinneasachaidh: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Dùbhlan Dealbhaidh: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Rannsachadh: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Brosnachadh: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Faid a' Phròiseict: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Sruth Obrachaidh: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Buill na Sgioba: Hasong Lee
Creideasan Dhealbhan: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.