Turquerie Cnuasach Éadaí Ban le Catalina Paladi

Tha Turquerie Cnuasach Éadaí Ban le Catalina Paladi na bhuannaiche air leth urramach anns an fharpais chliùitich 2021 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Fasain, Aodaich agus Trusgain.

AirgeadFasan· 2021

Turquerie Cnuasach Éadaí Ban

le Catalina Paladi

Neach-ceannach: Catalina Paladi

Buannaiche Duais Airgid A' Design Award ann an Roinn Fasan

61,276

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #112264

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Turquerie Cnuasach Éadaí Ban

Is éard atá i Turquerie ná cnuasach éadaí ban a fuair a inspioráid ó chultúr amhairc Impireacht na hOtamánach. Tá an cnuasach comhdhéanta de shé shiolóit agus deich bpíosa saincheaptha, i méideanna ó fhíorbheag go meánach. Cruthaíonn ábhair só amhail seacárd, veilbhit agus siofón codarsnacht datha agus solúbthacht, ag saibhriú cruthanna simplí agus línte glana nua-aimseartha. Tugann fabraicí sraithithe le dlús agus teimhneacht éagsúla, mar aon le muinchillí stílithe agus rufaí, cuma an ghluaiseacht do na baill éadaigh. Fuaitear go leor greamanna de láimh, toisc go bhfuil na fabraicí leochaileach.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Turquerie Cnuasach Éadaí Ban air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Turquerie Cnuasach Éadaí Ban na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Turquerie Cnuasach Éadaí Ban na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Turquerie is a maximalist collection, dynamic, full of textile ornaments, colours, embellishments, accessories, jewelleries and other decorations, all intended to eloquently reflect the Ottoman influence sheltering a modern allure. Luxury materials such as jacquards, velvet, chiffon create both chromatic contrast and fluidity, furthermore enriching the simple shapes and the clean modern lines. Made of six silhouettes, it gives a wide range of outfits to choose from, for every occasion.
Tomhasan & Pacadh: The entire collection consists of 6 looks, 10 custom made pieces. Size XS to M.
Tagaichean: Turquerie, velvet, jacquard, chiffon, modern, classic, couture.
Teicneòlas Cinneasachaidh: Due to the delicate nature of the fabrics, the collection has a lot of hand sewn stitches, approaching the old school techniques. It is composed of six silhouettes: 1. A modern velvet jumpsuit, 2. A classic velvet suit with jacquard vest with a mosque like ornament, 3. a jaquard tunic with chiffon layered sleeves, 4. a jaquard ornamented dress with a chiffon kaftan with ruffled sleeves, 5. A chiffon dress with a striped golden jacquard overcoat. 6. A chiffon maxi dress, with a long velvet vest.
Dùbhlan Dealbhaidh: Some of the challenges that arose during the process were: 1) the volume of labour was daunting for one person (CAD pattern making, cutting and sewing the cotton mock-ups, cutting and sewing the final pieces, multiple fittings and alterations); 2) the gentle and delicate fabrics needed special care (plenty of stitches had been hand sewn: velvet ). 3)the project involved an extensive research part as well, since it served as final course work for the author's Textile Engineering Degree.
Rannsachadh: The research focuses on the Ottoman Empire: the tolerance they displayed towards vasal nations, the social role they attributed to women, the majesty of their culture and their ability to embrace foreign influences in order to enrich their own culture. This inspired the author to find balance between her Moldovan roots and her addictive love towards other cultures. Still, it was a risky yet good decision to pin the Ottoman inspiration against a Moldovan ethnic background for the campaign shooting.
Brosnachadh: The majestic Ottoman Empire served as inspiration for this collection. Tolerant ottoman politics implemented towards conquered territories resulted in a rich, colourful cultural life which upheld a harmonious interaction between the arts. Thus, a mix of byzantine, european and persan influences flourished in the turkish culture. The collection and its campaign illustrates both the refined esthetics of the Ottoman Empire and their open-minded approach to foreign cultures. Being shot in a folkloric Moldovan background, it emphasizes the importance of interaction between nations and encourages the viewer to open his heart to the multitude of the different cultures, since every person is a sum of the many peoples and nations that his ancestors had crossed. Evreyone has in his cells a richness of colour, energy and temper of so many unknown to him individuals who fill his genealogy up, people who had their joy and happiness, sufferings and burdens, but nevertheless, they had gifted the modern man a part of themselves.
Faid a' Phròiseict: The project had begun in September 2016 and was completed in June 2017. It served as the final project for the Textile Engineering degree, part of the University graduation. The idea of placing the collection in the Moldovan rustic background for the campaign came in early 2020, whilst the shooting took place in September 2020.
Sruth Obrachaidh: The collection dynamics are conveyed by the layering of fabrics which differ in density, opacity and colour. The dynamics are obtained by the stylization of the sleeves, which creates a rhythmic movement of flounces; different velvet textures; expressive jacquards and a playful dance of transparencies.
Creideasan Dhealbhan: Image #1, #2, #3, #4, #5
Photographer: Sergiu Rotaru, 2020
Styling: Corina Croitor
Model: Sabrina Danilova
Model: Valeria Untu
Model: Maria-Magdalena Cucu
Video credits: Corina Croitor
Video Montage: Selina Paladi