The Opposite Cruinneachadh Aodach Fighte le Yishu Yan

Tha The Opposite Cruinneachadh Aodach Fighte le Yishu Yan na bhuannaiche air leth urramach anns an fharpais chliùitich 2024 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Fasain, Aodaich agus Trusgain.

AirgeadFasan· 2024

The Opposite Cruinneachadh Aodach Fighte

le Yishu Yan

Buannaiche Duais Airgid A' Design Award ann an Roinn Fasan

664,173

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #157237

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn The Opposite Cruinneachadh Aodach Fighte

'S e cruinneachadh aodach fighte aon-ghnè a th' anns The Opposite a chaidh a dhealbhadh gus a chaitheamh ann an iomadh dòigh. Tha an cruinneachadh air a dhèanamh le dòighean gun ghearradh agus gun sgudal, agus mar sin cha tèid aodach sam bith a thilgeil air falbh. Thathar a' cleachdadh fighe didseatach gus structaran trì-thaobhach sùbailte agus togail aodaich a ghabhas atharrachadh a chruthachadh. Faodar nithean bhon dà dheise iomlaid agus a mhaidseadh ann an diofar mheasgachaidhean, a leigeas le gach neach-caitheimh stoidhle phearsanta a chruthachadh. Tha an dealbhadh aon-mheud a' freagairt air a' mhòr-chuid de dhaoine le bodhaig chuibheasach. Tha The Opposite a' ceasnachadh bheachdan cumanta mu aodach fireannaich agus aodach boireannaich.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha The Opposite Cruinneachadh Aodach Fighte air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi The Opposite Cruinneachadh Aodach Fighte na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha The Opposite Cruinneachadh Aodach Fighte na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Tomhasan & Pacadh: This garment is an all-size design and will fit most people of average build.
Tagaichean: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Teicneòlas Cinneasachaidh: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Dùbhlan Dealbhaidh: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Rannsachadh: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Brosnachadh: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Faid a' Phròiseict: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Sruth Obrachaidh: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Buill na Sgioba: Academic adviser: Kinor Jiang & Jinyun Zhou
Creideasan Dhealbhan: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova