Ceramics Extension Instalación de Arte Tairan Hao and Shan Xu omba'apóva

Ceramics Extension Instalación de Arte Tairan Hao and Shan Xu omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Brónse pegua Arte Porã Jejapo Ñeha'ã Categoría-pe.

BrónseArte Porã· 2020

Ceramics Extension Instalación de Arte

Tairan Hao and Shan Xu -gua

Mba'eporuhára: Tairan Hao

A' Design Award Brónse Rembiporuarã Arte Porã Categoría-pe

18,499

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #104079 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Ceramics Extension Instalación de Arte Rehegua

Ko instalación ojejapo tembiaporã cerámico ypykue pohã rupive japoha ha tembiaporã plástico ombokuatiáva 3D-pe. Ko arte ha diseño oñeha'ã omombe'u peteĩ temiandu imbarete umi tapicha ohecháva rehegua, omandu'ávo opaite mba'e, opavave, opaite mba'e oñemyasãi opavavete. Tembiaporã oĩ jave, he'ise avei heta mba'e ojehecháva ha'e añetete, ha umi ambue mba'e ha'e ta'ãnga espejo-gui, ndaha'éi añetete. Ko ñembojoaju ojapo umi tapicha opensa oikehaguére peteĩ arapyahu ra'ãnga omoheñóiva hikuái voi.

Jeguerohory

A' Design Award Brónse Rehegua

Ceramics Extension Instalación de Arte ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Ceramics Extension Instalación de Arte ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Ceramics Extension Instalación de Arte ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Tuichakue ha Ñemyenyhẽ: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Ñe'ẽ Rape: Installation, Art, 3D Printing, Ceramics, Sculpture
Ñeapopy Tecnología: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Diseño Jepy'apy: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Ñesẽheka: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Inspiración: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Proyecto Ára Tuichakue: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Mba'apo Rape: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Patente-kuéra: Copyrights belong to Shan Xu and Tairan Hao, 2017
Aty Rembiguái: Designer: Shan Xu
Artist: Tairan Hao
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017