Embrace Tembiapo Guasu Peteĩ Tenda Guarã Supernova Art Embassy omba'apóva

Embrace Tembiapo Guasu Peteĩ Tenda Guarã Supernova Art Embassy omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Fiero pegua Arte Porã Jejapo Ñeha'ã Categoría-pe.

FieroArte Porã· 2021

Embrace Tembiapo Guasu Peteĩ Tenda Guarã

Supernova Art Embassy -gua

Mba'eporuhára: Memorandum Project

A' Design Award Fiero Rembiporuarã Arte Porã Categoría-pe

14,896

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #121349 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Embrace Tembiapo Guasu Peteĩ Tenda Guarã Rehegua

Ñemuñe'ẽ: Embrace ha'e peteĩ ta'ãnga tuicha ojejapóva peteĩ óga rováre Sterlitamak-pe. Ko ta'ãnga guasu oguereko 27 metro yvate ha 15 metro pekue, ha ipenta 405 metro cuadrado. Ojeporu pe pintura óga rová guarã ha rodillo-kuéra, ha umi elevador óga rovaigua omoĩ chupekuéra ojepinta hağua yvate guive. Ko tembiapo arte oikoje mbohapy semana. Pe marandu ojehechauka he'i peteĩ soldado 170ha división de infantería Sterlitamak-guágui, ohóva ñorairõhápe peteĩ pocket watch pláta reheve, ha he'i ojevytaha ha ogueru jeýta chupe. Hetekue ha pe watch ojejuhu 2015-pe ha ogueraha jey hógape hembirekópe.

Jeguerohory

A' Design Award Fiero Rehegua

Embrace Tembiapo Guasu Peteĩ Tenda Guarã ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Embrace Tembiapo Guasu Peteĩ Tenda Guarã ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Embrace Tembiapo Guasu Peteĩ Tenda Guarã oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Tuichakue ha Ñemyenyhẽ: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Ñe'ẽ Rape: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Ñeapopy Tecnología: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Diseño Jepy'apy: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Ñesẽheka: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Inspiración: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Proyecto Ára Tuichakue: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Mba'apo Rape: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Patente-kuéra: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Aty Rembiguái: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.