With Four Children Óga Ryuji Yamashita omba'apóva

With Four Children Óga Ryuji Yamashita omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Brónse pegua Arquitectura, Óga ha Mba'eguasu Jejapo Ñeha'ã Categoría-pe.

BrónseArquitectura· 2022

With Four Children Óga

Ryuji Yamashita -gua

Mba'eporuhára: Toshiharu Yamashita

A' Design Award Brónse Rembiporuarã Arquitectura Categoría-pe

22,370

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #134955 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

With Four Children Óga Rehegua

Peteĩ óga peteĩ pareja ha irundy mitãme g̃uarã. Oĩ peteĩ ñembosarái róga óga mbytépe, ha irundy mitã róga oĩ oñembojeroviávo. Oĩ jyvykue ha ovetã umíva apytépe. Mitãkuéra oipe'a jave ovetã, yvy oiko peteĩ mesa tuichaitéva oñemoarandúva oñembojerovia hag̃ua. Irundy mitã róga oiko peteĩ pa'ũ ojoajúva ha oñembojoaju peteĩha piso ndive mesa cristal rupive ojejapoháme rupi. Ha'e peteĩ pa'ũ ombojoajúva familia opaichagua mombyryetépe.

Jeguerohory

A' Design Award Brónse Rehegua

With Four Children Óga ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ With Four Children Óga ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. With Four Children Óga ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The four children's rooms were placed facing each other, with steps and windows between them.
When the children open the windows, the floor becomes a large desk, and they study face-to-face.
The four children's rooms become an integrated space, and the desk is made of glass to connect to the first floor.
It became a space where families can be connected with various senses of distance.
Tuichakue ha Ñemyenyhẽ: Site area 300.38m2
Building area: 69.56m2
Total floor area 125.65m2
1st floor: 63.35m2 2nd floor: 62.30m2
Eave height 7,176mm
Highest height 7,450mm
Ñeapopy Tecnología: When I was a child, I was given a study desk.
But I never used it.
It was painful for me to study facing the wall.
A study desk limits where you can put things, and you can't spread out a sheet of paper. I was restricted in what I could write.
The study desk became a stumbling block and eliminated many possibilities.
In this house, the floor becomes the desk. The space is a big table.
You can sit at the desk or run around. You can even draw big pictures.
This expands the possibilities for the child.
Diseño Jepy'apy: Since most of the people living in the area knew each other, privacy had to be considered.
Ñesẽheka: Type of Research: House Design
Research Objective: To enrich people's lives
Methodology: Leaving margins that allow for change.
Tools: CAD, CG, models
Participants: None
Result: Residents' lives are richer.
Impact: spillover of the importance of creating space without function
Inspiración: A house for a couple and their four children.
The client wanted to give each child a private room.
The four children are close in age and play together all the time.
We were concerned that having a private room would divide the family, so we decided to create a space where the children can feel connected even when they are in their own rooms.
Proyecto Ára Tuichakue: June 2021 to October 2021
Mba'apo Rape: Four children's rooms were placed across from each other, with steps and windows between them.
When the children open the windows, the floor becomes a large desk.
The four children's rooms become an integrated space.
The desks are connected to the first floor by glass.
The space became a place where the family is connected at various distances.
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Ikuya Sasaki, Photography, 2021.Image #2: Photographer Ikuya Sasaki, Photography, 2021.Image #3: Photographer Ikuya Sasaki, Photography, 2021.Image #4: Photographer Ikuya Sasaki, Photography, 2021.Image #5: Photographer Ikuya Sasaki, Photography, 2021.