272 Gallery Tenda Multifunción Qiuwen Luo omba'apóva

272 Gallery Tenda Multifunción Qiuwen Luo omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Fiero pegua Arquitectura, Óga ha Mba'eguasu Jejapo Ñeha'ã Categoría-pe.

FieroArquitectura· 2022

272 Gallery Tenda Multifunción

Qiuwen Luo -gua

Mba'eporuhára: Foshan A Thing of Beauty Art Communication Co.,Ltd

A' Design Award Fiero Rembiporuarã Arquitectura Categoría-pe

10,237

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #140001 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

272 Gallery Tenda Multifunción Rehegua

272 Gallery ha'e peteĩ tenda multifunción ojejapóva ojembopyahuhague peteĩ óga oĩmava Foshan, China-pe. Pe edificio oguereko mbohapy función: peteĩ ta'anga umi mueble medieval-gui, peteĩ art gallery ha peteĩ tenda ñemongeta privado. Pe puipyre myatyrõ he'i pe tembiapo, upévare umi terrazo ykére ojejapohague voi ha umi escalera renda yvyra guigua opyta oñemomba'apo'ỹre. Oñembojoapy iron guardarraíles, pino ha'ỹva ojepinta ha paredes ladrillo vidrio-gui. Opa okẽ interior oñemboguepa oñemoĩ hag̃ua oñondive umi cuarto ha ikatu hag̃uáicha oñemoĩ flexible umi exhibición. Umi ovetã ojeporandu porã oñemoĩ hag̃ua oñehesa'ỹijo umi yvyra yvate umi barrio-pegua.

Jeguerohory

A' Design Award Fiero Rehegua

272 Gallery Tenda Multifunción ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ 272 Gallery Tenda Multifunción ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. 272 Gallery Tenda Multifunción oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: An experimental renovation practice, "272 Gallery" is a renewal of architectural space which transforms the original residence into three basic functions of medieval furniture display, art gallery and private gathering, so as to inject art and cultural elements into the old community. To touch the memory of the city, making people aware of the charm of the blocks. The city and architecture are closely connected through a pleasant environment, diversified cultural and artistic activities.
Tuichakue ha Ñemyenyhẽ: As the structural form of the original building limits the possibility of space reconstruction, while the third floor serves as a venue for furniture display and regular art exhibition, in order to meet the mobility between spaces and is conducive to exhibition and sightseeing, we demolish all the doors of the original house to form the experience of space integration. Due to the elimination of the door element, the relationship between rooms becomes equal, so as to meet the flexibility of carrying all kinds of art exhibitions.
Ñe'ẽ Rape: gallery, interior design, architecture, renovation, structure design
Ñeapopy Tecnología: In the use of materials, we continue the principle of minimization. In addition to the unpainted pine and glass brick walls on the third floor, the external guardrails of the stairs and the courtyard are all made of iron. Due to the heavy feeling and the property of easy oxidation of iron, it matches the character of space and strengthens the atmosphere of space. For cost consideration, we chose to retain the original cast-in-place terrazzo floor and wall mechanism, wooden handrails of stairs, balancing the relationship between the old and the new.
Diseño Jepy'apy: How is the environment be used in the renovation of new buildings? In order to achieve a kind of "minimum" intervention, we try to have the consultation dialogue with space. Where should be demolished, repaired or added? All the demolished parts will be truthfully reflected in the new environment, and on the contrary, the new parts will overlap with the original traces, which is a game process between the new and the old, so as to establish a new spatial order.
Ñesẽheka: The project is located in Foshan, China, a historical city with rich cultural heritage. Taking the renewal of the old city as the research goal, using the limited budget, we attempted to do multi-point partial renewal and transformation of the old buildings in the aging community. The existing unused or semi abandoned space is transformed into art galleries, design studios, bookstores, etc. These activates the overall community atmosphere, so as to bring culture and business back to people's daily life. It has been widely influenced by the local society and changed the diversified mode of life of local people.
Inspiración: The city expansion accelerates along with the constant development of information. At the same time, a fierce renewal inside the city which is like a surging whirlpool is absorbing all kinds of resources radially from the center to the surrounding. In the situation of increasingly scarce resources, the re-use of the "old part" of the city is coming up as a new solution. We always feel that the environment is shaped by people, but also shape the people there.
Proyecto Ára Tuichakue: The project started in October 2019 and finished in April 2020 and is located in No.27-2 Chuihong Rd. Chuihong community of the center of Chancheng district, Foshan City, Guangdong, China
Mba'apo Rape: Benefit from the big trees planted in the community, the height of the tree crown has reached three or four stories, which provides an intoxicating green vision and shelter for the whole site, and also brings a quiet atmosphere. Facing the rare scenery of the city center, we have carefully designed the windows in different directions and positions. Looking from the interior to the exterior, it seems that the windows themselves have disappeared, in order to perfectly present the pure green.
Aty Rembiguái: Qiuwen Luo, Zhixu Wang, Licen Ye
Ta'ãnga Mba'eñemoneĩ: Image #1, Image#2, Image#3, Image#4, Image #5: Photographer Chao Zhang, 2021