Gordafarid Ao Mina Aliyari omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Fiero pegua Ao Jejapo Ñeha'ã Categoría-pe.

FieroAo· 2025

Gordafarid Ao

Mina Aliyari -gua

Mba'eporuhára: Kahkeshan Shahab Danesh

A' Design Award Fiero Rembiporuarã Ao Categoría-pe

47,082

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #167683 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Gordafarid Ao Rehegua

Gordafarid ha'e peteĩ ao ojejapóva persa alfombra ojepuruvéma'ỹva rehegua. Alfombra ojejapo pópe oĩva ivaipáva ha ndaikatuvéima ojepuru, upéva oiko torso-rã ha opyta hekove teete. Pantalón ojejapo ao line-gui, oñemboja hese pe "draping" teknika, ojekuaáva Irán tribu-kuéra ao rehegua. Peteĩ headband ombojoaju Irán geometría origami teknika ndive. Peteĩ shawl ojejapóva alambre metal resortegua ha ao rehegua ikatu oñeme'ẽ hese heta forma tekove ári. Correa oñemoambuéva omoheñói mba'e ambue tuichakue ha tembiapo. Pe alfombra-gui ijare avei ikatu oñemoĩ peteĩ ta'õe ári térã yvýpe.

Jeguerohory

A' Design Award Fiero Rehegua

Gordafarid Ao ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Gordafarid Ao ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Gordafarid Ao oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Tuichakue ha Ñemyenyhẽ: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Ñe'ẽ Rape: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Ñeapopy Tecnología: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Diseño Jepy'apy: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Ñesẽheka: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Inspiración: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Proyecto Ára Tuichakue: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Mba'apo Rape: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Aty Rembiguái: Mina Aliyari
Shahin Nayyer
Ta'ãnga Mba'eñemoneĩ: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024