Poem Sapce Ao Ky'a'ỹ Michĩva Bonan Li omba'apóva

Poem Sapce Ao Ky'a'ỹ Michĩva Bonan Li omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Brónse pegua Ao Jejapo Ñeha'ã Categoría-pe.

BrónseAo· 2025

Poem Sapce Ao Ky'a'ỹ Michĩva

Bonan Li -gua

Mba'eporuhára: Bonan Li Studio

A' Design Award Brónse Rembiporuarã Ao Categoría-pe

75,622

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #169597 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Poem Sapce Ao Ky'a'ỹ Michĩva Rehegua

Poem Sapce ha'e peteĩ ao ojejapóva ky'a'ỹ michĩva, ombojoajúva peteĩ apopy pyahu pliegue rehegua ndive peteĩ ojekytĩ'ỹ rei mba'eve. Ko ao ojejapo ao ojepovãva umi arandu porã reheve umi tapicha oikóva heta rekohápe, oñongatuhápe umi ñemboa yma guare. Ao okuchũ ijehegui ombopyahu pe ao, ojapo umi jopy mbohapyha dimensión rehegua, ndaha'éi ojekytĩ pe mba'e apo. Peteĩ-teĩ pliegue ojejapo ipópe ha ojehai kuatiakuéra ári oiko hağuáicha michĩ, michĩ apopy. Umi jopy iporãva oñemongu'e ovetã ndive ha ome'ẽ py'aguapy ha mbaretekue jointe.

Jeguerohory

A' Design Award Brónse Rehegua

Poem Sapce Ao Ky'a'ỹ Michĩva ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Poem Sapce Ao Ky'a'ỹ Michĩva ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Poem Sapce Ao Ky'a'ỹ Michĩva ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Tuichakue ha Ñemyenyhẽ: Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Ñe'ẽ Rape: sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Ñeapopy Tecnología: The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Diseño Jepy'apy: The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Ñesẽheka: This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Inspiración: The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Proyecto Ára Tuichakue: This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Mba'apo Rape: The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Ta'ãnga Mba'eñemoneĩ: Photographer Hao Zeng